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A COLOSSAL WRECK

A ROAD TRIP THROUGH POLITICAL SCANDAL, CORRUPTION, AND AMERICAN CULTURE

A fine trip through a rambunctious, productive, provocative and well-lived life.

The personal and political chronicle of the witty, eloquent liberal scourge who never let left or right get in his way.

The late journalist Cockburn (Guillotined: Being a Summary Broadside Against the Corruption of the English Language, 2012, etc.), who died in 2012, was a rare bird in the opinion business: unpredictable yet consistent in his approach to power. Whether writing for the Nation, Village Voice or the newsletter CounterPunch (which he co-founded), he was always the proud son of a family where Marxism was the dominant faith, authority was the enemy, and revolt was the answer. He found Barack Obama “slithery” as a candidate and hopeless as president. He held Rupert Murdoch and the New York Times in equal contempt and regarded Christopher Hitchens as a publicity hound. He was no respecter of party platforms, hating in more or less equal measures the Iraq War, vegetarianism, gun control, abortion, the whole idea of global warming and any police officer who gave him a ticket. He didn’t mind taking sides when he had to and happily helped destroy the re-election campaign of South Dakota Republican Sen. Larry Pressler. (“I am responsible for the Democratic majority in the Senate,” he later crowed. “Take that, you work-within-the-system types!”) He found common ground with anyone who fights the power, including Julian Assange, Ron Paul, and the tea party and Occupy movements. Cockburn loved America but thought it fascist; the killing of Osama bin Laden was an act of “brute, lawless, lethal force.” He could get sentimental about the death of old friends but kept mum about his own approaching demise. Instead, he went out in typical style, railing against the military-industrial complex.

A fine trip through a rambunctious, productive, provocative and well-lived life.

Pub Date: Sept. 10, 2013

ISBN: 978-1-78168-119-0

Page Count: 580

Publisher: Verso

Review Posted Online: Aug. 8, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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