by Alex Grass ‧ RELEASE DATE: Jan. 4, 2022
A darkly delectable, fresh blend of horror and Finnish myth.
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Grass’ audacious mix of dark fantasy, horror, apocalyptic fiction, and Finnish folklore pits a lost boy against a mythic goddess of death who is trying to remake the world in her dark vision.
Fifteen-year-old Alan and his mother, Lena, disappeared in a plane crash off the coast of Helsinki and were presumed dead. But 20 years later, when a “massive, inked savage” inexplicably appears after an explosion creates a crater in a petroleum refinery outside of Philadelphia, the amnesiac giant eventually remembers that his name is Alan—and that for the last two decades he has been wandering in a place called Tuonela, a purgatorial realm of the dead in Finnish mythology, where he has had to survive a never-ending onslaught of hellish creatures bent on his annihilation. Covered with ritualistic hammer tattoos and 7 feet tall, Alan is brought to the home of his affluent aunt by Jefferson O’Brady, a Philadelphia homicide detective who is a walking cliché—the proverbial overworked, alcoholic cop with no significant relationships who numbs himself daily to forget the horrors that he has seen. But as Alan attempts to reconnect with his aunt and his next-door neighbor Rebecca—who used to be his childhood best friend—O’Brady is tasked with finding a prolific serial killer who is terrifying the inhabitants of Philadelphia. As O’Brady finds tangential connections between the serial killer’s crime scenes and the strange arrival of Alan, the murders begin to increase, and soon the body count is in the hundreds. As an otherworldly terror blankets the city, Alan sets off on his own quest—to go back to Helsinki, locate his mother, and somehow figure out his role in the interdimensional conflict.
In this genre hybrid—which seamlessly fuses elements of horror, police procedural, and mythology—the sheer uniqueness of the storyline is an obvious strength. Readers will be kept off balance throughout, and the numerous plot twists make for a satisfyingly unpredictable read. Additionally, Grass, whose previous novel was Dreck (2021), ably creates layered, emotionally astute characters. Alan and O’Brady are deeply and insightfully portrayed, and so are numerous secondary characters, like Alan’s aunt Mimi, his friend Rebecca, and Christian Henneman, a cultist who is fittingly described as “a cross between Ra’s-al-Ghul and Tony Robbins.” Along with the genre elements and bombshell-laden storyline, the richly described worldbuilding helps create a wildly immersive read. The various interdimensional worlds, and their nightmarish creatures, come alive on the page: “The biggest swarm were eyeless, humanoid devils with double-joints, obsidian black skin and long tongues slithering out past needlepoint teeth; their wings stretched from their waists up to their deformed wrists, odd-angled bones jutting out like compound fractures.” An excerpt from the novel perfectly describes the reading experience: “A bloody feast. A bountiful cornucopia of carnage, to be relished, to soak in.”
A darkly delectable, fresh blend of horror and Finnish myth.Pub Date: Jan. 4, 2022
ISBN: 978-1-73588-854-5
Page Count: 618
Publisher: Dickinson Publishing Group
Review Posted Online: March 10, 2022
Kirkus Reviews Issue: May 1, 2022
Review Program: Kirkus Indie
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by Nora Roberts ‧ RELEASE DATE: May 26, 2026
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.
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An author is targeted by a fan who just can’t let her go.
Arden Bowie has had plenty of tragedy in her life, but now she’s finally on top. After her parents died when she was a teenager, she moved from Brooklyn to Ohio to live with her aunt, uncle, and cousins. She soon became part of their loving family and grew up to become a writer and bookseller. When her debut novel is published, she meets Dustin Dubecki at her first event. He showers her with praise, asks for writing advice, and wants to take her out for coffee. Arden tells herself he’s just a little awkward, but then he keeps showing up at her local events—and, even stranger, she’s sure she sees him lurking at her event in New York City. When he bursts into her apartment one night and assaults her, Arden’s calm life is shattered. Dustin gets a five-year sentence at a psychiatric facility; Arden spends most of that time rebuilding her sense of stability. Eventually, she moves to Oregon to start a new life where Dustin can never find her. But even though she has a beautiful home, a thriving career, a doting family, new friends, and even a potential love interest in a former cop named Gideon Riley, Arden can’t escape Dustin’s rage when his sentence is finally up. Roberts toggles between Arden’s point of view and Dustin’s, giving the reader occasional glimpses into his extremely twisted mindset. Although Arden’s attempts to escape Dustin are engrossing, the story stalls in the middle when far too many pages are dedicated to Arden purchasing and decorating a house. But the excitement picks back up when Dustin, a truly odious villain, re-enters the story. It’s also satisfying to see Arden grow into someone who refuses to be a victim, even as she deals with horrifying circumstances.
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.Pub Date: May 26, 2026
ISBN: 9781250413581
Page Count: 432
Publisher: St. Martin's
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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