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A BOY'S HAMMER

A darkly delectable, fresh blend of horror and Finnish myth.

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Grass’ audacious mix of dark fantasy, horror, apocalyptic fiction, and Finnish folklore pits a lost boy against a mythic goddess of death who is trying to remake the world in her dark vision.

Fifteen-year-old Alan and his mother, Lena, disappeared in a plane crash off the coast of Helsinki and were presumed dead. But 20 years later, when a “massive, inked savage” inexplicably appears after an explosion creates a crater in a petroleum refinery outside of Philadelphia, the amnesiac giant eventually remembers that his name is Alan—and that for the last two decades he has been wandering in a place called Tuonela, a purgatorial realm of the dead in Finnish mythology, where he has had to survive a never-ending onslaught of hellish creatures bent on his annihilation. Covered with ritualistic hammer tattoos and 7 feet tall, Alan is brought to the home of his affluent aunt by Jefferson O’Brady, a Philadelphia homicide detective who is a walking cliché—the proverbial overworked, alcoholic cop with no significant relationships who numbs himself daily to forget the horrors that he has seen. But as Alan attempts to reconnect with his aunt and his next-door neighbor Rebecca—who used to be his childhood best friend—O’Brady is tasked with finding a prolific serial killer who is terrifying the inhabitants of Philadelphia. As O’Brady finds tangential connections between the serial killer’s crime scenes and the strange arrival of Alan, the murders begin to increase, and soon the body count is in the hundreds. As an otherworldly terror blankets the city, Alan sets off on his own quest—to go back to Helsinki, locate his mother, and somehow figure out his role in the interdimensional conflict.

In this genre hybrid—which seamlessly fuses elements of horror, police procedural, and mythology—the sheer uniqueness of the storyline is an obvious strength. Readers will be kept off balance throughout, and the numerous plot twists make for a satisfyingly unpredictable read. Additionally, Grass, whose previous novel was Dreck (2021), ably creates layered, emotionally astute characters. Alan and O’Brady are deeply and insightfully portrayed, and so are numerous secondary characters, like Alan’s aunt Mimi, his friend Rebecca, and Christian Henneman, a cultist who is fittingly described as “a cross between Ra’s-al-Ghul and Tony Robbins.” Along with the genre elements and bombshell-laden storyline, the richly described worldbuilding helps create a wildly immersive read. The various interdimensional worlds, and their nightmarish creatures, come alive on the page: “The biggest swarm were eyeless, humanoid devils with double-joints, obsidian black skin and long tongues slithering out past needlepoint teeth; their wings stretched from their waists up to their deformed wrists, odd-angled bones jutting out like compound fractures.” An excerpt from the novel perfectly describes the reading experience: “A bloody feast. A bountiful cornucopia of carnage, to be relished, to soak in.”

A darkly delectable, fresh blend of horror and Finnish myth.

Pub Date: Jan. 4, 2022

ISBN: 978-1-73588-854-5

Page Count: 618

Publisher: Dickinson Publishing Group

Review Posted Online: March 10, 2022

Kirkus Reviews Issue: May 1, 2022

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THE BLACK WOLF

Don’t feel that your current news feed is disturbing enough? Penny has just what you need.

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A sequel to The Grey Wolf (2024) that begins with the earlier novel’s last line: “We have a problem.” And what a problem it is.

Now that Chief Inspector Armand Gamache and his allies in and out of the Sûreté du Québec have saved Canada’s water supply from poisoning on a grand scale, you might think they were entitled to some rest and relaxation in Three Pines. No such luck. Don Joseph Moretti, the Sixth Family head who ordered the hit-and-run on biologist Charles Langlois that nearly killed Gamache as well, is plotting still more criminal enterprises, and Gamache can’t be sure that Chief Inspector Evelyn Tardiff, who’s been cozying up to Moretti in order to get the goods on him, hasn’t gone over to the dark side herself. In fact, Gamache’s uncertainty about Evelyn sets the pattern for much of what follows, for another review of one of Langlois’ notebooks reveals a plot so monstrous that it’s impossible to be sure who’s not in on it. Is it really true, as paranoid online rumors have it, that “Canada is about to attack the U.S.”? Or is it really the other way around, as the discovery of War Plan Red would have it? As the threats loom larger and larger, they raise questions as to whether the Black Wolf, the evil power behind them, is Moretti, disgraced former Deputy Prime Minister Marcus Lauzon, whom Gamache has arranged to have released from prison, or someone even more highly placed. A brief introductory note dating Penny’s delivery of the uncannily prophetic manuscript to September 2024 will do little to assuage the anxieties of concerned readers.

Don’t feel that your current news feed is disturbing enough? Penny has just what you need.

Pub Date: Oct. 28, 2025

ISBN: 9781250328175

Page Count: 384

Publisher: Minotaur

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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