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A BOY'S HAMMER

A darkly delectable, fresh blend of horror and Finnish myth.

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Grass’ audacious mix of dark fantasy, horror, apocalyptic fiction, and Finnish folklore pits a lost boy against a mythic goddess of death who is trying to remake the world in her dark vision.

Fifteen-year-old Alan and his mother, Lena, disappeared in a plane crash off the coast of Helsinki and were presumed dead. But 20 years later, when a “massive, inked savage” inexplicably appears after an explosion creates a crater in a petroleum refinery outside of Philadelphia, the amnesiac giant eventually remembers that his name is Alan—and that for the last two decades he has been wandering in a place called Tuonela, a purgatorial realm of the dead in Finnish mythology, where he has had to survive a never-ending onslaught of hellish creatures bent on his annihilation. Covered with ritualistic hammer tattoos and 7 feet tall, Alan is brought to the home of his affluent aunt by Jefferson O’Brady, a Philadelphia homicide detective who is a walking cliché—the proverbial overworked, alcoholic cop with no significant relationships who numbs himself daily to forget the horrors that he has seen. But as Alan attempts to reconnect with his aunt and his next-door neighbor Rebecca—who used to be his childhood best friend—O’Brady is tasked with finding a prolific serial killer who is terrifying the inhabitants of Philadelphia. As O’Brady finds tangential connections between the serial killer’s crime scenes and the strange arrival of Alan, the murders begin to increase, and soon the body count is in the hundreds. As an otherworldly terror blankets the city, Alan sets off on his own quest—to go back to Helsinki, locate his mother, and somehow figure out his role in the interdimensional conflict.

In this genre hybrid—which seamlessly fuses elements of horror, police procedural, and mythology—the sheer uniqueness of the storyline is an obvious strength. Readers will be kept off balance throughout, and the numerous plot twists make for a satisfyingly unpredictable read. Additionally, Grass, whose previous novel was Dreck (2021), ably creates layered, emotionally astute characters. Alan and O’Brady are deeply and insightfully portrayed, and so are numerous secondary characters, like Alan’s aunt Mimi, his friend Rebecca, and Christian Henneman, a cultist who is fittingly described as “a cross between Ra’s-al-Ghul and Tony Robbins.” Along with the genre elements and bombshell-laden storyline, the richly described worldbuilding helps create a wildly immersive read. The various interdimensional worlds, and their nightmarish creatures, come alive on the page: “The biggest swarm were eyeless, humanoid devils with double-joints, obsidian black skin and long tongues slithering out past needlepoint teeth; their wings stretched from their waists up to their deformed wrists, odd-angled bones jutting out like compound fractures.” An excerpt from the novel perfectly describes the reading experience: “A bloody feast. A bountiful cornucopia of carnage, to be relished, to soak in.”

A darkly delectable, fresh blend of horror and Finnish myth.

Pub Date: Jan. 4, 2022

ISBN: 978-1-73588-854-5

Page Count: 618

Publisher: Dickinson Publishing Group

Review Posted Online: March 10, 2022

Kirkus Reviews Issue: May 1, 2022

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

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  • New York Times Bestseller

A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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