Both intelligent and intellectual, this is both a tribute to brilliant teachers and a cautionary tale of their imperfections.
A novel that examines the relationship between the public and shared experience of a lively—even magical—classroom, and the private world of a gifted but flawed teacher.
Largely a character study of Will Silver, master teacher at the International School of France in Paris, the novel advances its narrative through multiple perspectives, much as Faulkner does in As I Lay Dying, one of the texts Will insists his students read. Will is a charismatic English teacher, one of those rare few who inspire a Dead Poets Society–type cult among the seniors in his philosophy and literature seminar. Based on their readings of Sartre, Camus, Faulkner, Shakespeare and Keats, he urges his students to raise questions about the way they live their lives and has them confront their own existential freedom and moral choices. But Will is caught in the irony of his own moral choices when he feels attracted to Marie de Cléry, a student at the school, and begins a torrid sexual relationship with her. Marie is best friends with Ariel, which is to say they have a volatile, love-hate relationship driven both by envy and by jealousy, and it’s clear that Ariel will do anything to pull Will down. While much of the narrative burden of the novel is assumed by Will and Marie, Maksik also provides views of other students, especially Gilad, whose own homoerotic attraction to Will complicates his take on things. Some of the best scenes in the novel involve the reconstruction of the philosophical give-and-take of his classroom, Will’s efforts to get his students to think and to make the literature their own. And despite the administration’s understandable desire to turn Will into a monster who’s preyed upon a vulnerable young woman, he remains sympathetic to the end.
Both intelligent and intellectual, this is both a tribute to brilliant teachers and a cautionary tale of their imperfections.Pub Date: Sept. 1, 2011
ISBN: 978-1-60945-048-9
Page Count: 336
Publisher: Tonga Books
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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