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AT THE VILLA OF REDUCED CIRCUMSTANCES

Though the first story is piffle, the second is a worthy apotheosis for Smith’s charmingly clueless pedagogue. (Illus....

Smith completes the saga of Prof. Dr. Moritz-Maria von Igelfeld (see below) with a pair of long stories that transport him to Cambridge University and a faded Colombia salon.

“On Being Light Blue” indulges the eminent scholar’s long-time wish for a visiting appointment at Cambridge courtesy of his colleague Prof. Dr. Detlev Amadeus Unterholzer’s equally ardent desire to appropriate his office during his absence. Von Igelfeld’s tenancy at Cambridge is a series of lightweight comic sketches: his mistaking Prof. Porter for the College Porter, his attempt to prevent visiting American opera writer Matthew Gurewitsch from using his shared bathroom without lying about its availability, his seduction into some collegiate intrigue—the last of which supplies an anticlimax worthy of Botswana private detective Precious Ramotswe (The Full Cupboard of Life, p. 158, etc.). If this tale depends a little too completely on Smith’s ear for the absurdity of academic persiflage just as it’s lifting off from reality, the title story takes von Igelfeld to an altogether higher plane. Returning to the Institute for Romance Philology, he’s settling into his amusingly small-minded routine, holding his blotter up to a mirror to see whether he can identify Unterholzer’s handwriting, when he learns that his magnum opus Portuguese Irregular Verbs has been checked out of the Institute’s library in his absence. The upshot finds von Igelfeld in Colombia, where he receives a series of increasingly improbable appointments, spends a memorable few days at Señora Dolores Quinta Barranquilla’s Villa of Reduced Circumstances, comes face-to-face with a guerilla uprising, and distinguishes himself as a statesman and war hero before floating back home.

Though the first story is piffle, the second is a worthy apotheosis for Smith’s charmingly clueless pedagogue. (Illus. throughout with b&w block prints)

Pub Date: Jan. 4, 2005

ISBN: 1-4000-9509-3

Page Count: 128

Publisher: Anchor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2004

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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