Like these lovable antiheroes of the past, von Igelfeld remains a gentle figure who deserves every cartoon anvil that falls...
First in the three cycles of stories introducing quietly hapless Prof. Dr. Moritz-Maria von Igelfeld, of the Institute of Romance Philology.
“All I want is love,” dolefully reflects the author of that standard but slow-selling reference work, Portuguese Irregular Verbs, “and a tiny bit of recognition from the Portuguese.” What he gets instead is a series of eight little adventures that add up to a life of quiet desperation. Sidelined from his original interest in Early Irish by his landlady’s horror at discovering a German translation of the off-color remarks a surviving speaker of Early Irish shared with him, he settles into a chair at Regensburg. Although he ventures as far afield as Italy and India, von Igelfeld remains as predictable in his habits and as impervious to the outside world as Kant. Supported by his colleagues, the unfortunately named Prof. Dr. Detlev Amadeus Unterholzer and Prof. Dr. Dr. (honoris causa) Florianus Prinzel, who looks like an athlete but isn’t, he plays tennis after spending an hour with a rulebook, recalls a foreshortened duel that ended with a foreshortened nose, attempts to disprove a xenophobic Sienese landlady’s claims that Germans eat too much, falls in love with his dentist, and turns himself radioactive. Trudging stoutly from one academic conference to the next, von Igelfeld recalls the great 19th-century comedies of minutiae inflated to monstrous proportions, though he’s less majestic than Mr. Pickwick and less fiercely stupid than Bouvard and Pécuchet. Perhaps the closest analogy is Mr. Pooter, the office drudge of George and Weedon Grossmith’s Diary of a Nobody, whose indulgently satiric tone Smith faithfully reproduces.
Like these lovable antiheroes of the past, von Igelfeld remains a gentle figure who deserves every cartoon anvil that falls on his head but retains his dignity and goodness throughout. (Illus. throughout with b&w block prints)Pub Date: Jan. 4, 2005
ISBN: 1-4000-7708-7
Page Count: 128
Publisher: Anchor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2004
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Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
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