A lively history of the early republic, its branches coming together to form a sturdy whole.
Beguiling study of American intellectual and cultural life two centuries ago at the places where forests and civilization met.
“Reading books, filling in the blanks with my imagination, I sought to restore the stories of the figures in the original I had not seen, which itself was a record of what the chronicler-carver perhaps only dreamed when he invented the life of his times.” So writes Stanford humanities professor Nemerov of a mysterious carved box that, long ago, poked its way out of a streambank. It’s not the only mystery in the pages of this luminous book. Another is the odd vision of a figure painted in the crook of a tree high above a Virginia forest floor, both startling and delighting its discoverer, who took the opportunity to “ponder the fact that his imagination gave rise to such phantoms.” Nemerov is a collector of such forest-born visions. Some are exalted, as when, early in this episodic, anecdotal narrative, Nathaniel Hawthorne finds in the New England woods a metaphor for his work. “For him,” writes Nemerov, “trees were brains, arbors of thought, much like his own.” Some are economic: Groves of hemlock are felled in order to cure livestock hides, with a noxious load of acids and blood dumped into a pristine Hudson River. Some are ominous: Nat Turner retreats to “a self-secluded place in the woods” to plan his uprising of enslaved people. Nemerov delights in turning up surprises that inform his pointed tales. His discovery of the story of David Douglas, who lent the Douglas fir his name and whose life ended tragically in a trap meant to protect gardens from rampaging cattle, is a feat of scholarly detection. So is his restoration to history of an Irish immigrant who, sadly, fell from an elm he was trimming, a narrative frame within which the author discusses anti-immigrant sentiment.
A lively history of the early republic, its branches coming together to form a sturdy whole.Pub Date: March 7, 2023
ISBN: 978-0-691-24428-0
Page Count: 336
Publisher: Princeton Univ.
Review Posted Online: Oct. 24, 2022
Kirkus Reviews Issue: Nov. 15, 2022
BOOK REVIEW
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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