A couturier returns to her late aunt’s home in Yorkshire for one last Christmas reunion that promises more sorrow than joy.
Liliana Armitage-Feathers was always an incorrigible game player. Now that she’d dead, her idea of an appropriate legacy is to hide anagrammatic clues to 12 possible keys to an unknown place where the deeds to Endgame House are hidden in 12 sonnets, each one of which will be made available to her prospective heirs on one of the 12 days of Christmas, with the house to go to the relative who finds the key that unlocks the hiding place. Lily Armitage, a corsetier still grieving her mother, Mariana Armitage, who died under questionable circumstances on Boxing Day 21 years ago, doesn’t want her Aunt Liliana’s house, but she does want to honor her memory. So she agrees to play along with her cousins Tom and Ronnie and Rachel Armitage, whom she rather likes, and Sara Armitage-Feathers, whom she doesn’t much like at all and suspects of murder. As Christmas passes into New Year’s and beyond, the clues and keys mount up. So do the casualties, raising real suspicions whether this will be a holiday-themed remake of And Then There Were None. Never fear; enough suspects will remain at the end to make the big reveal moderately surprising, though the bigger surprise is how many felonies end up attributed to how many perpetrators. Just in case this setup isn’t artificial enough for you, Benedict piles two more games atop the games her characters play: a dozen hidden anagrams of the gifts of the 12 days of Christmas, and a dozen hidden references to earlier Christmas-themed whodunits.
Super brainy in an appropriately superficial way.