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THE CROSSROADS

An incredibly heartfelt depiction of immigrants and refugees in a land full of uncertainty.

Picking up a week after the grueling journey chronicled in The Only Road (2016), Diaz’s profound sequel finds 12-year-old Jaime Rivera and his cousin Ángela adjusting to life in El Norte.

Jaime doesn’t know English too well, and his first days at school result in an unfortunate bathroom accident, mocking giggles from his classmates, and snide comments from the class bully, Diego. To Jaime’s horror, Ángela seems to have changed overnight, making new friends with ease, switching to English almost exclusively, and acting aloof about their recent odyssey. Meanwhile, the specter of deportation looms endlessly, and terrible news from Guatemala involving Abuela and the Alphas erases any hope of returning to their village any time soon. Like its predecessor, this timely follow-up addresses the threats that immigrants and refugees face daily in El Norte, where “talk of a massive wall and deporting all of us” continues unabated. Diaz keeps the intimate third-person narration intact as she skillfully explores Jaime’s new life in New Mexico, although the novel’s noble objectives often deny any meaningful character development. Fortunately, well-sketched friends and family offer Jaime support in unexpected ways, including Sean, a deaf, white schoolmate who incites a pleasant subplot, and the gentle Don Vicente, an old Mexican cowboy whose relationship with Jaime forms the heart of the novel.

An incredibly heartfelt depiction of immigrants and refugees in a land full of uncertainty. (author’s note, references, further reading, glossary) (Fiction. 8-12)

Pub Date: Sept. 4, 2018

ISBN: 978-1-5344-1455-6

Page Count: 336

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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