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THE MADCAP, NERVY, SINGULAR LIFE OF ELAINE STRITCH

A sharply drawn portrait of an ambitious, fierce, and complicated woman.

New York Times features writer and cultural critic Jacobs makes her book debut with a biography of the glamorous, outspoken entertainer Elaine Stritch (1925-2014).

Stritch’s career spanned nearly seven decades, ending in an acclaimed one-woman show that earned her the Tony Award she had long coveted. As an actress and singer, she had middling success, usually hired for a part when a bigger name was unavailable, or when a show went on national tour, or for summer stock. Often, she lost out to Angela Lansbury, who won many of the roles Stritch wanted: as Auntie Mame, for example, which made Lansbury “a definitive star of the musical theater,” and as Madame Rose in Gypsy. “I’m sick of Angela Lansbury,” Stritch once remarked. “I’m sick of people doing parts that I should be doing.” In 1961, her performance in Noel Coward’s Sail Away won accolades: She turned the play “into a one-woman show,” one critic wrote. “Let’s keep the busy Miss Stritch busier.” But there were problems in keeping her busy: a reputation for “being tiresome, over-full of suggestions and not knowing a word” of her lines, as Coward noted; and, increasingly, alcoholism. “They all love Elaine,” Lee Israel discovered when she worked on a feature story about Stritch. “But along the way lots of people have ceased to trust her,” Israel wrote. “She drinks, they say.” Stritch defended drinking as “a wonderful thing for social communication,” but theater critic John Lahr saw a deep vulnerability. She was “the most panic-struck person I ever knew,” he observed, “a hysteric, and completely terrified.” In an engaging, thoroughly researched narrative, Jacobs chronicles Stritch’s career, boosted by working with Stephen Sondheim and Woody Allen; her half-hearted attempts to get on the wagon; her friendships, romances, and marriage; kleptomania and refusal to pay restaurant tabs; and brazen money-grubbing. Put up at a Florida hotel for an event, for example, she brought her entire winter wardrobe for dry-cleaning “at the production’s expense.”

A sharply drawn portrait of an ambitious, fierce, and complicated woman.

Pub Date: Oct. 22, 2019

ISBN: 978-0-374-26809-1

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 2, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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