A Regency with old-school charm and newfangled sensibilities.
Proposing to the wrong earl leads to the right love match.
Those in London society who have met Miss Lydia Hope-Wallace know her only as a painfully shy, absurdly wealthy spinster. That’s because almost no one knows that she’s also responsible for the radical pamphlets published by her anonymous alter ego, “H,” on topics like universal suffrage and the right to divorce—not even the Earl of Strathrannoch, with whom H has been corresponding for several years. As a result, things are a bit awkward when she sneaks north to Scotland to propose to the Earl, only to find, when she arrives at his castle, that he actually doesn’t know Lydia or H, and someone else has been writing to her under his name. Arthur Baird, the earl, quickly realizes that his brother, Davis, has been masquerading as him. Though in her embarrassment Lydia tries to escape, the unexpected chaos of a stampeding herd of zebras provides her with a chance to reconsider, and she decides to help Arthur figure out the mystery behind his brother’s behavior. They are almost immediately attracted to each other, and though Arthur is loathe to get involved with a woman he thinks belongs to his brother, circumstances soon lead them to pretend to be newlyweds, which leads to a series of red-hot encounters and allows both to imagine what it might be like to actually marry. This sequel to Ne’er Duke Well (2024) brings more political intrigue and suspense to the world of the woman-run Belvoir’s Library, with a similar heat level and comedic sensibility. Though the plot is a bit disjointed, the almost-slow-burn chemistry between Arthur and Lydia—and the scorching scenes that follow—keep the pages turning. With the help of a lovely Scottish backdrop (and accents), Vasti’s fans, as well as those looking for a post-Bridgerton story, will be pleased.
A Regency with old-school charm and newfangled sensibilities.Pub Date: Jan. 21, 2025
ISBN: 9781250910967
Page Count: 352
Publisher: St. Martin's Griffin
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: yesterday
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.
A woman travels to Scotland to unravel her late father’s past and meets a grumpy Scotsman with his own secrets.
Keyanna MacKay was brought up by a single father who was always tight-lipped about his upbringing, so when he dies, she’s left with no family. Key decides that learning about his life before he left Scotland would be a good way of keeping his memory close and perhaps connecting with long-lost relatives. She discovers a grandmother and other extended family in Scotland, but they’re hardly welcoming. “I know who you are....And you shouldn’t have come,” are the first words her grandmother says to her. Lachlan Greer has little patience for the American he’s already written off as clueless. When he witnesses Key’s snubbing by her family members, his grumpy demeanor gives way to begrudging pity, and he starts helping her navigate the local community and try to build a bridge to her grandmother. At first, this book seems to be a contemporary romance with light magical undertones involving a family’s mysterious curse, but it quickly devolves into a monster romance heavy on shock value. While monster romance can be fun, it doesn’t work here. Key and Lachlan’s chemistry is bumpy, and the pace of their relationship as they go from disastrous first impressions to a happily ever after is all over the place. Ferguson tries to combine too many elements—including a grumpy-meets-sunshine pairing, a mystery with sensitive family dynamics, and the complicated logistics of falling in love with a cryptid—leaving several threads not fully resolved. The setting is the most positive element, with Scotland’s lush greenery providing the perfect whimsical background for hunting down long-buried family secrets.
This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.Pub Date: Dec. 3, 2024
ISBN: 9780593816851
Page Count: 416
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
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