A Sapphic novel in which opposites attract offers a new twist on an old trope.
A bi indie bookstore manager agrees to a marriage of convenience with a bi romance cover model to save their family legacies.
Tansy Adams has been fibbing about having a girlfriend to fend off her pushy stepmother's demands. Then, at a family wedding, who should walk in but Gemma West, the romance cover model whose name and photo Tansy had appropriated to represent her fake girlfriend. It turns out she's actually Gemma van Dalen, a publishing heiress and estranged cousin of the man marrying into Tansy's family. Put on the spot, Gemma surprises everyone by going along with Tansy's lie and even—gasp!—proposing to Tansy in front of everyone. Suddenly, Tansy is saying yes to Gemma’s proposal, which will let her have the millions she needs to buy her late father's Seattle bookstore from her stepmother, who wants to sell it to a chain, while letting Gemma fulfill the terms of her late grandfather’s will. Former party girl Gemma is interested only in inheriting and running her grandfather's newspaper publishing empire, but she quickly finds her heart ensnared by the softer, more diffident Tansy. Once they learn how each other's families have hurt them in the past, they're both determined to protect their newfound mutual affection while turning their fake relationship into a real one. Bellefleur peppers the novel with callouts to the romance genre plus oddball supporting characters, including rich jerks who want to foil the two women’s plans. A backstory about how the groom sexually shamed Tansy in high school introduces a more serious theme, balancing out the weaker poor-little-rich-girl narrative given to Gemma. Text messages between the two women serve as romantic banter, while in-person sex talk and on-page sex scenes show the sparks of their chemistry. In the manner of Four Weddings and a Funeral or Notting Hill, a crisis delays the happy ending, and two grand gestures and a public proposal facilitate it. En route, the tale of two women battling corporate giants also takes on straight White male privilege.
A Sapphic novel in which opposites attract offers a new twist on an old trope.Pub Date: April 18, 2023
ISBN: 9780063258495
Page Count: 416
Publisher: Avon/HarperCollins
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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