A Sapphic novel in which opposites attract offers a new twist on an old trope.
A bi indie bookstore manager agrees to a marriage of convenience with a bi romance cover model to save their family legacies.
Tansy Adams has been fibbing about having a girlfriend to fend off her pushy stepmother's demands. Then, at a family wedding, who should walk in but Gemma West, the romance cover model whose name and photo Tansy had appropriated to represent her fake girlfriend. It turns out she's actually Gemma van Dalen, a publishing heiress and estranged cousin of the man marrying into Tansy's family. Put on the spot, Gemma surprises everyone by going along with Tansy's lie and even—gasp!—proposing to Tansy in front of everyone. Suddenly, Tansy is saying yes to Gemma’s proposal, which will let her have the millions she needs to buy her late father's Seattle bookstore from her stepmother, who wants to sell it to a chain, while letting Gemma fulfill the terms of her late grandfather’s will. Former party girl Gemma is interested only in inheriting and running her grandfather's newspaper publishing empire, but she quickly finds her heart ensnared by the softer, more diffident Tansy. Once they learn how each other's families have hurt them in the past, they're both determined to protect their newfound mutual affection while turning their fake relationship into a real one. Bellefleur peppers the novel with callouts to the romance genre plus oddball supporting characters, including rich jerks who want to foil the two women’s plans. A backstory about how the groom sexually shamed Tansy in high school introduces a more serious theme, balancing out the weaker poor-little-rich-girl narrative given to Gemma. Text messages between the two women serve as romantic banter, while in-person sex talk and on-page sex scenes show the sparks of their chemistry. In the manner of Four Weddings and a Funeral or Notting Hill, a crisis delays the happy ending, and two grand gestures and a public proposal facilitate it. En route, the tale of two women battling corporate giants also takes on straight White male privilege.
A Sapphic novel in which opposites attract offers a new twist on an old trope.Pub Date: April 18, 2023
ISBN: 9780063258495
Page Count: 416
Publisher: Avon/HarperCollins
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.
A woman travels to Scotland to unravel her late father’s past and meets a grumpy Scotsman with his own secrets.
Keyanna MacKay was brought up by a single father who was always tight-lipped about his upbringing, so when he dies, she’s left with no family. Key decides that learning about his life before he left Scotland would be a good way of keeping his memory close and perhaps connecting with long-lost relatives. She discovers a grandmother and other extended family in Scotland, but they’re hardly welcoming. “I know who you are....And you shouldn’t have come,” are the first words her grandmother says to her. Lachlan Greer has little patience for the American he’s already written off as clueless. When he witnesses Key’s snubbing by her family members, his grumpy demeanor gives way to begrudging pity, and he starts helping her navigate the local community and try to build a bridge to her grandmother. At first, this book seems to be a contemporary romance with light magical undertones involving a family’s mysterious curse, but it quickly devolves into a monster romance heavy on shock value. While monster romance can be fun, it doesn’t work here. Key and Lachlan’s chemistry is bumpy, and the pace of their relationship as they go from disastrous first impressions to a happily ever after is all over the place. Ferguson tries to combine too many elements—including a grumpy-meets-sunshine pairing, a mystery with sensitive family dynamics, and the complicated logistics of falling in love with a cryptid—leaving several threads not fully resolved. The setting is the most positive element, with Scotland’s lush greenery providing the perfect whimsical background for hunting down long-buried family secrets.
This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.Pub Date: Dec. 3, 2024
ISBN: 9780593816851
Page Count: 416
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
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