Small bird, big thoughts. Greatness achieved.
Can thinking change the world? Just ask Henry Finch!
One quiet night Henry—depicted, like the rest of his relentlessly chatty flock, with a red fingerprint and a few expressive black lines—startles awake with the realization that he is self-aware. Moreover, he can think. Lots of different things! He likes it! “I could be great,” he thinks. Spotting the crocodilian Beast who has chowed down on so many of his relatives and recklessly thinking that the time for greatness has arrived, he attacks. This turns out to be a mistake, but heading down the Beast’s gullet, reasoning his way from “I am” to broad cycles of birth and death, he hears the Beast thinking about its own family and needs. Not only does he persuade it to change its diet and release him and the other small creatures trapped in its gut, he flies up to free all of his fellow birds from their clouds of unknowing. Off they soar on ambitious quests of their own, leaving Henry smiling a “finch smile.” Using only very simply drawn figures and changing the color field for “interior” shots to white on solid black, Schwarz conveys Henry’s simple outer and rather more complex inner worlds with a visual boldness that amplifies the exhilaration of his Cartesian epiphany. Henry will be a hero, and not just to readers of a philosophical feather.
Small bird, big thoughts. Greatness achieved. (Picture book. 6-8)Pub Date: Sept. 1, 2015
ISBN: 978-0-7636-7812-8
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 26, 2015
Kirkus Reviews Issue: Aug. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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