A groundbreaking and excellent queer historical romance.
A second chance for a duke and his best friend.
The Battle of Waterloo changed Viola Carroll’s life, because everyone believes she died there. In fact, after recovering from her wounds, she made the bold decision to walk away from her inheritance and her title and into a new life: She was finally free to live as a woman. Unbeknownst to her, however, her best friend’s life was also changed by the loss of the friend he thinks he left on the battlefield. Justin de Vere, Duke of Gracewood, hides in the country, debilitated by symptoms of PTSD, terrible war injuries, and an addiction to laudanum and alcohol. His would be a solitary life except that he still serves as his sister Miranda’s guardian. When Miranda writes to Lady Marleigh, Viola’s sister-in-law, describing her brother’s decline over the past two years, Lady Marleigh decides that she and Viola (who now serves as her paid companion) must go save Miranda. Viola is terrified to travel, not only because Gracewood thinks his best friend is dead, but also because he’s never known her as a woman. When they arrive, Gracewood is depressed, drunk, and doesn’t realize he already knows Viola, so she agrees when Lady Marleigh suggests she try to help him get better. From their respective hiding places, Viola and Gracewood find they share an undeniable connection; eventually Gracewood realizes he’s known Viola his whole life, and the best friends begin to fall in love despite the complications. Author Hall is a consistently beautiful writer, but this story, the first in a new series, may be his best yet. The plot elegantly balances period details and classic tropes to create a queer love story with a pitch-perfect blend of reality and hope. Though the steamy intimate scenes are electric, the story’s momentum comes not from Viola and Gracewood’s slow burn but from the genuine emotional connections among a full cast of charming characters. Despite the centering of Viola and Gracewood’s love story, this is a book that celebrates the many ways people love and are loved. The story is complex and long but never lags, and readers will be glued to the book through the satisfying epilogue. As a bonus, Hall also wrote the funny, insightful discussion questions at the back, allowing readers space to dwell a bit longer on the story.
A groundbreaking and excellent queer historical romance.Pub Date: May 24, 2022
ISBN: 978-1-5387-5375-0
Page Count: 480
Publisher: Forever
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
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