A shimmery and sexy start to the reissuing of a beloved m/m contemporary romance series.
A one-night stand sparkles far beyond first impressions.
Ash Winters is trapped. His life has to be defined by his routines, which he clings to as his only hope as he recovers from severe depression and a suicide attempt. He avoids contact with friends, his sex life is unsatisfying, and his promising career as a writer has been derailed. But he feels obligated to make it from London to Brighton for his friend’s stag party, and it’s good that he does, because across the dance floor he sees Darian Taylor, a charming, baffling, "glittering pirate of a man," an aspiring model from Essex. They have an electric sexual encounter, but Ash runs away, a panic attack having been triggered when he wakes in a strange place. He’s plunged into another depressive episode. When he reemerges, Darian finds him at a book signing, and despite his anger, they reconnect (quite intimately, over Ash’s desk). As they continue to spend time together, Ash starts to think maybe he could build a new life with Darian—but eventually he pushes Darian away so cruelly that he might not return. This is a republication of Hall’s first book, originally published in 2013, and this new edition has some changes but will be recognizable to readers of the original. Most importantly, it still includes the same extremely Essex voice ascribed to Darian with every sentence of dialogue; this isn't for all readers, but it is remarkably consistent ("hunjed pahcent" comes up a lot), and even when Darian borders on farce it can’t dampen the clear passion the two men have for each other. Hall’s command of tropes and ability to consistently deliver fantastically explicit writing remain top-notch, though fans will notice that while this book is solid, the writing is a bit clumsy compared to recent releases, with some confusing dialogue formatting that can detract from the story. Still, there’s a reason this book, which is the first in the cult favorite Spires series, has had avid readers for years, and it’s because it has the heady combination of red-hot sex scenes with genuine emotional connection that Hall does so well. The clear content guidance at the start of the book is a grace note that underscores the blunt but sensitive treatment of Ash's mental health and shouldn't be skipped.
A shimmery and sexy start to the reissuing of a beloved m/m contemporary romance series.Pub Date: Jan. 17, 2023
ISBN: 978-1-72826-528-5
Page Count: 320
Publisher: Sourcebooks Casablanca
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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