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HUSBAND MATERIAL

A fine but unnecessary sequel.

A London couple navigates the highs and lows of weddings and even a funeral in this sequel to Boyfriend Material (2020).

Two years after the events of that book, reformed bad boy Luc O’Donnell and Oliver Blackwood, his buttoned-up barrister boyfriend, have settled into something resembling domestic bliss. There's still an opposites-attract push and pull between them, but they've found a way to balance each other out. Now, with several wedding celebrations on their social calendar and an unexpected funeral to contend with, the couple is put into a pressure cooker of stressful situations. From running into old exes to dealing with their sneaky feelings of grief, Luc and Oliver will have their work cut out for them if they're going to make it through with their relationship intact. Luc and his issues take more of the focus, as he hems and haws over proposing to Oliver—especially after a terrible ex-boyfriend announces his own engagement. It never feels like the couple is in any real danger of splitting up, though, which raises the question of why they needed a sequel at all. While revisiting much-loved characters can leave fans feeling warm and fuzzy, this material would have been better off as a series of bonus stories rather than a full-length continuation of Luc and Oliver’s relationship. While a happily-ever-after doesn’t stop when a couple realizes their feelings for one another, this book feels more like an excuse to put the pair into a variety of loosely connected one-off situations than a fully fledged novel.

A fine but unnecessary sequel.

Pub Date: Aug. 2, 2022

ISBN: 978-1-72825-092-2

Page Count: 432

Publisher: Sourcebooks Casablanca

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE THINGS WE LEAVE UNFINISHED

A charming dual-timeline romance about learning from past mistakes.

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In Yarros’ latest romance novel, a young woman hires a handsome but infuriating writer to complete her late great-grandmother’s half-finished book.

After her marriage to a Hollywood producer ends in high-profile divorce, 28-year-old Georgia Stanton returns to her childhood home in Colorado. When she arrives at the house where she was raised by her great-grandma—the famous romance author Scarlett Stanton—she finds her mother, Ava, lying in wait. Georgia is in possession of the only unfinished manuscript that her deceased relative left behind, and her own mom wants her to sell the rights so they can get some cash. Georgia succumbs to the pressure and enters a deal in which another author will finish the book’s second half. The manuscript tells Scarlett’s life story, including how she found, and lost, her one true love. Georgia feels strongly that the finished novel must reflect the true events of Scarlett’s life, as difficult as they may have been. Unfortunately, the publishers hire Noah Harrison, a stubborn writer at the height of his career, who has his own fictional vision for the novel’s ending. As Noah and Georgia butt heads, each of them researches Scarlett’s history in England during World War II. As they learn more about Scarlett and Jameson Stanton, the fighter pilot she loved, Georgia and Noah must navigate their own increasingly complicated relationship. With two equally engrossing storylines, this book will draw in even seasoned romance readers. As the story jumps between past and present, the author also alternates present-day perspectives between Georgia and Noah, moving deftly between her characters’ distinct voices. The relationships are well developed, and the love that Scarlett felt for Jameson is especially palpable. Along with the sweetly romantic themes, the book explores several heftier topics, including personal ambition, grief, family discord, and self-esteem. The story has a few digressions that do little to advance the plot, but the main characters are sufficiently engrossing that readers will want to stick with them to the end.

A charming dual-timeline romance about learning from past mistakes.

Pub Date: Feb. 23, 2021

ISBN: 978-1-68281-566-3

Page Count: 400

Publisher: Entangled: Amara

Review Posted Online: Jan. 20, 2021

Kirkus Reviews Issue: March 1, 2021

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