With muted power, this book plumbs the role privilege plays in fate.
A mother’s frantic postwar search for her daughter is the highlight of Landau’s latest.
Landau’s second novel—like her first, The Empire of the Senses (2015)—portrays haut bourgeois European Jews who find their carefully crafted assimilation no defense against barbarism. Having fled the Russian Revolution for Paris, Vera Volosenkovahas achieved success as a novelist. In June 1940, she and husband Max, an opera composer, are ensconced at their villa in the south of France, surrounded by prominent artists and intellectuals, all in denial about the coming German occupation. Landau effectively depicts the psychological disconnect between Vera’s expectations—that civilization could not fail her twice in less than three decades—and the sudden reality of being ordered to “report for internment.” Vera and Max are among the privileged few who manage to escape over the Pyrenees and sail to the United States. Out of necessity, Vera leaves their 4-year-old daughter, Lucie, in France in the care of trusted governess Agnes. Having relocated with many stellar contemporaries to Hollywood, Max finds a comfortable niche as a film composer. Wrongly or not—Max’s inner turmoil is withheld from us in a way that seems manipulative—Vera resents his seeming indifference, particularly after news breaks of a massacre in Oradour-sur-Glane, Lucie’s last known refuge. An alternating thread involves Hollywood screenwriter and aspiring director Sasha, whose origins lie in the shtetls and the Lower East Side. Plotlines converge, like America’s entry into the war, at first too slowly and then breathlessly as Vera returns to chaotic, post-Liberation France on a desperate quest to find Lucie among thousands of missing children. Hollywood’s prewar reluctance to offend Hitler is scantly touched on, and the United States’ embargo on refugees not at all. As the novel progresses, the main conflict is between Vera’s remorse about leaving Lucie and the protective bubble she inhabits.
With muted power, this book plumbs the role privilege plays in fate.Pub Date: Feb. 23, 2021
ISBN: 978-0-593-19053-1
Page Count: 432
Publisher: Putnam
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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