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THOSE WHO ARE SAVED

With muted power, this book plumbs the role privilege plays in fate.

A mother’s frantic postwar search for her daughter is the highlight of Landau’s latest.

Landau’s second novel—like her first, The Empire of the Senses (2015)—portrays haut bourgeois European Jews who find their carefully crafted assimilation no defense against barbarism. Having fled the Russian Revolution for Paris, Vera Volosenkovahas achieved success as a novelist. In June 1940, she and husband Max, an opera composer, are ensconced at their villa in the south of France, surrounded by prominent artists and intellectuals, all in denial about the coming German occupation. Landau effectively depicts the psychological disconnect between Vera’s expectations—that civilization could not fail her twice in less than three decades—and the sudden reality of being ordered to “report for internment.” Vera and Max are among the privileged few who manage to escape over the Pyrenees and sail to the United States. Out of necessity, Vera leaves their 4-year-old daughter, Lucie, in France in the care of trusted governess Agnes. Having relocated with many stellar contemporaries to Hollywood, Max finds a comfortable niche as a film composer. Wrongly or not—Max’s inner turmoil is withheld from us in a way that seems manipulative—Vera resents his seeming indifference, particularly after news breaks of a massacre in Oradour-sur-Glane, Lucie’s last known refuge. An alternating thread involves Hollywood screenwriter and aspiring director Sasha, whose origins lie in the shtetls and the Lower East Side. Plotlines converge, like America’s entry into the war, at first too slowly and then breathlessly as Vera returns to chaotic, post-Liberation France on a desperate quest to find Lucie among thousands of missing children. Hollywood’s prewar reluctance to offend Hitler is scantly touched on, and the United States’ embargo on refugees not at all. As the novel progresses, the main conflict is between Vera’s remorse about leaving Lucie and the protective bubble she inhabits.

With muted power, this book plumbs the role privilege plays in fate.

Pub Date: Feb. 23, 2021

ISBN: 978-0-593-19053-1

Page Count: 432

Publisher: Putnam

Review Posted Online: Sept. 29, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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FURY IN DEATH

A satisfying thriller that will warm the hearts of fans who already take comfort in hating the forces of evil.

Lt. Eve Dallas’ 63rd futuristic case is less a whodunit than a manhunt for an unusually sympathetic killer.

Thirteen years ago, way back in 2048, scientific genius Steve Redman—father of the Banner-Wyst corporation’s Rainmaker Project—narrowly escaped death in a gas explosion that killed his pregnant wife and infant son and 200 other residents of their New York City apartment building the night before he planned to report his suspicions about the company to the FBI. Now the bill is coming due for Banner-Wyst. The first death to be discovered is that of Lawrence Chu, Redman’s colleague and trusted friend, whose tenure as director of bioengineering science ends when he’s beaten to death. For quite a while, Dallas and her partner, Det. Delia Peabody, know less about this mystery than their readers do. But when Ezra Dent, a consultant to Banner-Wyst who worked with Redman and Chu back in the day, is murdered in exactly the same ferocious way, Dallas and Peabody, with help from Roarke, Dallas’ tech-billionaire husband, promptly put the pieces together and determine who they’re looking for. The search for Redman, who went AWOL from his hospital bed without a trace six years ago, has its own challenges. So does Dallas’ attempt to get cooperation from partners Calvin Banner and Jacob Wyst, who are clearly in the crosshairs of a killer who seems a lot less monstrous than they are. If the breaks in the case are suspiciously convenient in arriving, readers can pride themselves on taking sides against a mega-corporation whose self-avowed ecological saintliness is undermined by its leaders’ underhanded dealing.

A satisfying thriller that will warm the hearts of fans who already take comfort in hating the forces of evil.

Pub Date: Sept. 8, 2026

ISBN: 9781250414564

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 18, 2026

Kirkus Reviews Issue: June 15, 2026

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