With muted power, this book plumbs the role privilege plays in fate.
A mother’s frantic postwar search for her daughter is the highlight of Landau’s latest.
Landau’s second novel—like her first, The Empire of the Senses (2015)—portrays haut bourgeois European Jews who find their carefully crafted assimilation no defense against barbarism. Having fled the Russian Revolution for Paris, Vera Volosenkovahas achieved success as a novelist. In June 1940, she and husband Max, an opera composer, are ensconced at their villa in the south of France, surrounded by prominent artists and intellectuals, all in denial about the coming German occupation. Landau effectively depicts the psychological disconnect between Vera’s expectations—that civilization could not fail her twice in less than three decades—and the sudden reality of being ordered to “report for internment.” Vera and Max are among the privileged few who manage to escape over the Pyrenees and sail to the United States. Out of necessity, Vera leaves their 4-year-old daughter, Lucie, in France in the care of trusted governess Agnes. Having relocated with many stellar contemporaries to Hollywood, Max finds a comfortable niche as a film composer. Wrongly or not—Max’s inner turmoil is withheld from us in a way that seems manipulative—Vera resents his seeming indifference, particularly after news breaks of a massacre in Oradour-sur-Glane, Lucie’s last known refuge. An alternating thread involves Hollywood screenwriter and aspiring director Sasha, whose origins lie in the shtetls and the Lower East Side. Plotlines converge, like America’s entry into the war, at first too slowly and then breathlessly as Vera returns to chaotic, post-Liberation France on a desperate quest to find Lucie among thousands of missing children. Hollywood’s prewar reluctance to offend Hitler is scantly touched on, and the United States’ embargo on refugees not at all. As the novel progresses, the main conflict is between Vera’s remorse about leaving Lucie and the protective bubble she inhabits.
With muted power, this book plumbs the role privilege plays in fate.Pub Date: Feb. 23, 2021
ISBN: 978-0-593-19053-1
Page Count: 432
Publisher: Putnam
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A powerfully strong romance for readers who like their love stories full of torment and passion.
Best friends confront feelings for each other when they take a honeymoon trip together.
Francesca Gardiner and George Saint James have always been best friends—just like Jo and Laurie from Little Women, which they both love. Frankie has a big, complicated family and George was the boy next door who’d moved in with his eccentric grandmother. Their friendship survived childhood, awkward teenage years, and living together as young adults without ever venturing into the romantic—well, except for one kiss, but they don’t talk about that. When Frankie gets engaged to an older professor named Nate, George isn’t happy and a huge fight ensues. Despite his misgivings, George shows up to be her best man, but Nate leaves Frankie right before the wedding with only a cryptic letter. Devastated, Frankie goes to a friend’s house to recuperate, but her honeymoon is already planned and paid for—so she decides to travel to Tofino, a picturesque town on the coast of Vancouver Island, with George taking Nate’s place. Frankie wants to fix her friendship with George, but now that they’re in a romantic suite in a beautiful location, things are more complicated than ever. She’d always thought a relationship would be a bad idea, but she’s slowly beginning to realize they’ll never be able to go back to being kids. Maybe the only way forward involves forging a new kind of relationship. Fortune, the author of romances like This Summer Will Be Different (2024), returns with another love story full of longing and intense angst. The many allusions to Little Women are charming, and Frankie is a delightfully headstrong, feisty character. She and George have explosive chemistry, and Fortune manages to make the “will-they-or-won’t-they” nature of their relationship feel like life-or-death stakes.
A powerfully strong romance for readers who like their love stories full of torment and passion.Pub Date: May 5, 2026
ISBN: 9780593953242
Page Count: 432
Publisher: Berkley
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
BOOK REVIEW
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