An incisive look at the invisible forces of consumption shaping not just a single city, but our world.
Lessons to be learned from the history of Oakland, California.
In this expansive book, Madrigal explores Oakland’s ecosystem—from its storied past as home to longshoremen, Black Panthers, and the blues to its prospects as the epicenter of what he calls the Pacific Circuit—a “vast, powerful, opaque cultural structure” that controls the flow of consumer goods. Throughout the San Francisco Bay Area city, Madrigal says, he sees “the marriage of American capital and corporate know-how with Asian labor and technical capacity.” The book traces the rise of containerization, born of wartime need, how it links U.S. manufacturers to cheap Asian labor, and the ways it’s controlled by Silicon Valley. A journalist and author of Powering the Dream: The History and Promise of Green Technology, Madrigal argues that it is in Oakland’s port where one can best view these economic, environmental, and cultural effects. The external costs to people and the environment, which result from the instant gratification of one-click consumption, are laid bare. One of the Pacific Circuit’s features is to siphon money from around the world and concentrate it locally. Billionaires and elite tech workers benefit. This, says Madrigal, is “the simple answer for why the Bay Area got so expensive.” Unfortunately, as he notes, “the deepest, most haunting forms of American racism work through property.” Here, he explores racial capitalism and how it has affected Black families living in the port’s shadow; the book is framed by his admiring portrait of Margaret Gordon, a community activist and former Oakland port commissioner whose “crowning achievement,” he writes, is the Maritime Air Quality Improvement Plan of 2009. Madrigal’s writing can be poetic, even when he’s examining sediment: “The mining waste fell where it would somewhere on the floor of the bay. Great dredging machines chomped and slurped up this material, and builders mixed it with whatever else was around, and it became fill. Compact it hard enough and it became land, new land, histories mixed and buried.”
An incisive look at the invisible forces of consumption shaping not just a single city, but our world.Pub Date: March 18, 2025
ISBN: 9780374159405
Page Count: 384
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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