A twisty tale with an otherworldly setting that readers will happily revisit.
In this launch of Chute’s (Expecting Sunshine, 2017) fantasy trilogy, a family travels to a bizarre and dangerous parallel world.
Fourteen-year-old Ella Wellsley was only 10 when doctors found a brain tumor at the base of her skull. Six months ago, the growing tumor rendered her incapable of speech. Now, her grandfather Archie has brought Ella and her mom, Tessa, on a vacation cruise through Spain’s Canary Islands. Tessa is still angry at Ella’s father, Arden, who packed some belongings and disappeared two years ago. It turns out that Archie has a hidden agenda with this trip: He hopes to find both his son and a cure for Ella by using information in Arden’s notebooks. Archie tries to make a deal with a yellow-eyed, untrustworthy being named Zeno, but it doesn’t go as expected, and the entire cruise ship is sent through a portal to the magical island of Jarr-Wya. The quest for Ella’s cure temporarily takes a back seat as the Wellsleys and others get mixed up in a conflict between the sandlike Millia; the red, sometimes-fiery Olearon; and the Bangols, who’d banished Zeno, one of their own, to Earth. When the Bangols take Ella captive, Tessa and Archie summon their strength—and a few allies—to bring her home. The characters in Chute’s story exhibit as many virtues as they do flaws; even Tessa and Archie are occasionally selfish despite their noble intentions. This precipitates numerous plot turns as characters surprise one another with a good deed or a sinister turn. Ella provides the voice of the novel with her periodic first-person perspective, and her varying forms of communication—miming, drawing in a sketchbook—make her the most memorable character. Chute details the beauty of Jarr-Wya as well as grotesque moments; at one point, film from Tessa’s eyes “wriggles on her fingers like hyper slugs.” The author’s literary proficiency is complemented by her illustrations. Although the images are supposed to be Ella’s crude ink paintings, their solid shading gives them vibrancy, even in black and white.
A twisty tale with an otherworldly setting that readers will happily revisit.Pub Date: June 5, 2018
ISBN: 978-1-943006-56-4
Page Count: 360
Publisher: Spark Press
Review Posted Online: March 19, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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