Cleareyed, lyrical, observant, and compassionate—reportage at its finest.
Examining conflicts in four African countries through the eyes of those experiencing and trying to fight them.
In this remarkable debut, New Yorker staff writer Okeowo, whose Nigerian parents moved to the United States, where she was born, explores significant conflicts in four African countries through the stories of individuals who have been victims of, but have also worked to combat, various forms of extremism. She delves into the lives of a couple who were victims of Joseph Kony’s Lord’s Resistance Army in Uganda. She tells of a young woman kidnapped by Boko Haram who managed to escape and of a man who joined in a vigilante organization confronting that terrorist group directly. She pursues the story of a man fighting against pernicious (and putatively illegal) slavery in Mauritania. She shows the struggle for young women in Somalia just to do something as seemingly innocent as play basketball. The author focuses her unflinching gaze on only a handful of people in each case study, which allows her a level of depth and nuance that a wider cast of characters would render impossible. Each of her tales, based on five years of on-the-ground reporting, gets two chapters: one in Part 1, “The Beginning,” and the other in Part 2, “The Aftermath.” These latter chapters, however, do not necessarily reach a conclusion; rather, they reveal a middle in which anything, including tragedy, could surely still happen. Throughout, Okeowo writes with beauty and grace, and her subjects are compelling. Refreshingly, she does not give in to easy answers. In the cases where the extremists are radical Islamists, she makes it clear that oftentimes the victims of their radicalism are devout Muslims, that Christian leaders and politicians are often equally culpable in local problems, and that complexity—not simplistic good-guy/bad-guy narratives—is a dominant theme throughout the region.
Cleareyed, lyrical, observant, and compassionate—reportage at its finest.Pub Date: Oct. 3, 2017
ISBN: 978-0-316-38293-9
Page Count: 256
Publisher: Hachette
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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