by Alexis O’Neill ; illustrated by Gary Kelley ‧ RELEASE DATE: March 18, 2020
A thoughtful, well-researched homage to an almost forgotten hero.
Words alone could not provoke change in the terrible plight of tenement dwellers in late-19th-century New York City.
In 1870, Danish-born Jacob Riis immigrated to the United States, where, after years of struggle, he eventually became a newspaperman. In his own life and in his work, he witnessed the horrendous living conditions of New York City’s poorest immigrants. It became the impetus for his lifelong crusade. One of the worst areas was Mulberry Bend, with filthy, overcrowded, airless tenements. He wrote many articles describing what he saw, but nothing changed. Then he took photographs and gave lectures accompanied by life-size reproductions of those photos to any group that would listen. His 1890 book, How the Other Half Lives, inspired others, including Theodore Roosevelt, to finally begin to address the issues. Among other improvements, the worst slums of Mulberry Bend were cleared to create a park, giving people a place to breathe and play. But where did the inhabitants go? O’Neill clearly admires Riis and presents his biography in clear, direct language that conveys the facts of his life along with the essence of his nature. Kelley’s ink-and-pastel illustrations in muted tones capture the gray dreariness of the scenes as well as dark shadows of interpretations of the photos. Backmatter includes detailed information of every aspect of Riis’ life and work, including several of Riis’ photos and quotes.
A thoughtful, well-researched homage to an almost forgotten hero. (author’s note, glossary, timeline, sources) (Picture book/biography. 7-10)Pub Date: March 18, 2020
ISBN: 978-1-62979-866-0
Page Count: 48
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by Andrew Young & Paula Young Shelton ; illustrated by Gordon C. James ‧ RELEASE DATE: Aug. 2, 2022
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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by Brad Meltzer ; illustrated by Christopher Eliopoulos ‧ RELEASE DATE: Jan. 9, 2024
Quick and slick, but ably makes its case.
The distinguished jurist stands tall as a role model.
Not literally tall, of course—not only was she actually tiny but, as with all the other bobbleheaded caricatures in the “Ordinary People Change the World” series, Ginsburg, sporting huge eyeglasses on an outsize head over black judicial robes even in childhood, remains a doll-like figure in all of Eliopoulos’ cartoon scenes. It’s in the frank acknowledgment of the sexism and antisemitism she resolutely overcame as she went from reading about “real female heroes” to becoming one—and also the clear statement of how she so brilliantly applied the principle of “tikkun olam” (“repairing the world”) in her career to the notion that women and men should have the same legal rights—that her stature comes clear. For all the brevity of his profile, Meltzer spares some attention for her private life, too (“This is Marty. He loved me, and he loved my brains. So I married him!”). Other judicial activists of the past and present, all identified and including the current crop of female Supreme Court justices, line up with a diversely hued and abled group of younger followers to pay tribute in final scenes. “Fight for the things you care about,” as a typically savvy final quote has it, “but do it in a way that will lead others to join you.”
Quick and slick, but ably makes its case. (timeline, photos, source list, further reading) (Picture-book biography. 7-9)Pub Date: Jan. 9, 2024
ISBN: 9780593533338
Page Count: 40
Publisher: Rocky Pond Books/Penguin
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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