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WEST OF REHOBOTH

What Pate, writing from the heart, makes particularly vivid is the way endemic, inescapable racism suffocates and ruins.

A profoundly affecting story about a bright black kid’s first brushes with bigotry, in a fifth novel from the award-winning author of The Multicultiboho Sideshow (1999), etc.

It's 1962, early July, in sizzling, smoldering North Philly—no place for a 12-year-old African-American who happens to prefer Agatha Christie to street fighting. Every summer Edward Massey's working-class parents, fiercely protective, hustle him out of town and down to Rehoboth Beach, where his Aunt Edna runs a thriving restaurant/boardinghouse. Well, not Rehoboth Beach exactly, Jim Crow being what it was back then, but rather West Rehoboth, that “coloreds only” country on the other side of the canal. Aunt Edna, a remote, unsmiling woman who makes Edward nervous, is a person to reckon with in her volatile community, but it’s the man mysteriously connected to her, the one he's been taught to call Uncle Rufus, who fascinates Eddie, and who challenges his cherished alter ego, Hercule Poirot. He decides, therefore, to devote the summer to ratiocination, to solving the puzzle of this scary, hard-drinking semi-recluse through investigation and logic. But why won't people answer any questions about Rufus? Where does he go when he disappears from the shack that seems to be his Elba? And, most vexing of all, how could he have brought himself to murder Eddie's pet, the turtle Mr. Peabody? Circumstances throw them together, the bitter old man and the precocious, tirelessly inquisitive young boy. Rufus, drunk, smashes up his truck with Eddie in it. Both are pinned in the wreckage, and while they wait for rescue, Eddie, somehow, embarks on a strange, sort of metaphysical journey into Rufus’s other world—a world in which young Rufus was free to make choices that didn't result in rage, defeat, and, inevitably, self-hatred.

What Pate, writing from the heart, makes particularly vivid is the way endemic, inescapable racism suffocates and ruins.

Pub Date: Sept. 7, 2001

ISBN: 0-380-97679-X

Page Count: 256

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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