by Alfred Habegger ‧ RELEASE DATE: Oct. 9, 2001
In the end, in an irony she would have appreciated, another biographer has mapped Dickinson’s outer world without leaving...
A biography of the elusive Belle of Amherst (1830–86) that celebrates her imaginative witchery and triumph over adversity without penetrating her enigma.
Because her sister fulfilled Emily Dickinson’s request to burn her correspondence after her death, biographers experience considerable difficulty in sounding the deep currents of her life. To establish how she became so reclusive, Habegger (The Father: A Life of Henry James, Sr., 1994) is at great pains to delve into her family—sometimes excessively so (the poet’s birth does not occur until page 72). Her father, Edward Dickinson, a lawyer and one-term Whig congressman, was as zealous in guarding his children against all physical and financial danger as he was in claiming that women had no intellectual powers worth exercising. Her brother Austin, who lived with his wife next door to Edward and Emily, was too narrowly egotistical to appreciate Emily’s writing and in later years embarked on an affair that affected posthumous publication of her work. Deaths involving close relatives and friends when she was young led Dickinson into existential doubt about God’s justice, making her the lone family holdout from the local Congregational Church. Given these circumstances, Habegger plausibly suggests, Emily “perfected the art of living separately in close proximity,” discovering boundless independence and creative freedom even as her outer world contracted. Using extensive research on her associations, he adroitly analyzes Dickinson’s intense attachments: friendships with fellow schoolgirls, relationships with male intellectuals such as Atlantic Monthly editor Thomas Wentworth Higginson, and particularly her late-blooming romance with Otis Phillips Lord, an elderly jurist and friend of her father. Yet, despite his chronological organization, Habegger never helps the reader get a handle on the stages of Dickinson’s development as poet and adult, and he sometimes dismisses claims of earlier Dickinson scholars without offering an equally adequate explanation for events.
In the end, in an irony she would have appreciated, another biographer has mapped Dickinson’s outer world without leaving adequate markers for her interior landscape.Pub Date: Oct. 9, 2001
ISBN: 0-679-44986-8
Page Count: 896
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
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