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PLUCK

LESSONS WE LEARNED FOR IMPROVING HEALTHCARE AND THE WORLD

An inspiring story of crucial and familiar aspects of the health care system.

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Twin brothers reflect on their careers working to improve health care in the United States.

In this dual memoir, identical twins Fred and Blair Sadler, authors of Emergency Medical Care: The Neglected Public Service (1977), recount the years they spent crafting aspects of the American medical system and related laws during the 1960s and ’70s. Fred, a physician, and Blair, an attorney, began working together as a “medical-legal team” shortly after finishing their graduate programs, serving at the National Institutes of Health, the Yale University School of Medicine, and other institutions. Their first project, beginning in 1967 and continuing into the early 1970s, was streamlining organ donation, working to establish a unified national system of managing donors and recipients and helping state legislatures to follow a common framework for organ donation laws. They later helped to develop the role of the physician’s assistant and establish training programs and certification standards, an important tool in meeting the growing need for primary care providers. The brothers’ final joint project, spanning the early-to-mid-1970s, involved modernization of emergency medical care, in partnership with Yale University and the Robert Wood Johnson Foundation. Their careers diverged after nearly two decades of partnership, as Fred completed his clinical training and became a practicing physician, while Blair moved into health care administration and oversaw the growth of Rady Children’s Hospital in San Diego, California, among other projects. The book concludes with a retrospective look at the areas they worked on, assessing practical and ethical successes and ongoing challenges, and sharing lessons they learned throughout their long careers.

The Sadler brothers have an engaging story to tell and do so in an enlightening way in these pages. The book is largely written from their joint perspective, with occasional asides, labeled “Blair reflects” and “Fred reflects,” in which one of the brothers switches to first-person singular to detail his own experience. In addition to sharing credit with each other for the work they did together, they’re generous in detailing the roles played by mentors; in one memorable section, for example, Blair tells of meeting Chief Justice of the United States Earl Warren at a squash game, which led to several discussions about the brothers’ work on organ donation. The authors also refer to work of various colleagues, which makes for a personal narrative that’s remarkably devoid of ego. The book does an effective job of showing how things many people take for granted, such as organ donor cards or well-equipped ambulances, are in fact rather recent innovations without turning the work into a full-blown history of U.S. health care. In addition, the Sadlers are thoughtful about the expansive role of health care in people’s lives (“a homeless shelter is a healthcare organization; the integration of mental health experts into the local police force is healthcare activism; the funding of breakfast programs for elementary school children is healthcare policy”), which makes their book a welcome addition to conversations on a range of important issues.

An inspiring story of crucial and familiar aspects of the health care system.

Pub Date: June 28, 2022

ISBN: 978-1-73587-317-6

Page Count: 236

Publisher: Silicon Valley Press

Review Posted Online: June 6, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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