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ANATOMY OF TERROR

FROM THE DEATH OF BIN LADEN TO THE RISE OF THE ISLAMIC STATE

In a dizzying scenario of violence, Soufan provides clarity and balance.

Tracing the hydra-headed reach of al-Qaida and how its leadership morphed into the Islamic Caliphate of Iraq and elsewhere.

Former FBI agent Soufan (The Black Banners: The Inside Story of 9/11 and the War Against al-Qaeda, 2011) composes a concise, accessible, enormously readable account of the trajectory of al-Qaida, especially through the actions of its murderous main protagonists. To tell the story of this splintering terrorist operation, Soufan—as others have had to do before him—first steps backward to delineate the state of the Islamic world in which these jihadis could take root: scant education for most Muslims, based on dogma and ritual and little critical thinking; oppression of women; unemployment and blunted economic opportunity; and insularity and ignorance about the outside world. In such conditions, radicalism was attractive, and Osama bin Laden, having “crystallized his legend by helping the mujahideen [sic] win a famous victory against Russian special forces in the mountain passes of Jaji near the Pakistani border,” stepped in after the Russian withdrawal and urged the Arab recruits to fight “the imperialists.” He believed it was necessary to concentrate the movement’s ire on defeating the Americans first, the far enemy—hence the spectacular success, by al-Qaida’s accounting, of 9/11. Bin Laden’s nemesis in building up the Iraqi jihad, Abu Musab al-Zarqawi, who was killed by the Americans in 2006, would take up the struggle against the apostate Shia especially, to great controversy within the organization: “waging jihad with my brothers to establish for Islam a homeland and for the Koran a state.” After bin Laden’s death in 2011 and the rise of the Arab Spring, the main organization splintered, in Somalia, Yemen, Algeria, and elsewhere, with Egyptian surgeon Ayman al-Zawahiri becoming ringmaster. As the al-Qaida franchises proliferated, the goal—the establishment of an Islamic state, made possible more quickly than imagined by the Syrian civil war—was shared and spread, and, as the author notes, the organization “once again has the means and the opportunity to attack.”

In a dizzying scenario of violence, Soufan provides clarity and balance.

Pub Date: May 2, 2017

ISBN: 978-0-393-24117-4

Page Count: 384

Publisher: Norton

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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