An aspiring actor who uses a manual wheelchair is determined to land a part in a community theater production.
Moving cross-country from California to New Jersey and leaving her best friend, Chloe, behind is hard enough for Nat. Even worse, the new house doesn’t feel like home, and her parents are as overprotective as ever. When Nat, an avid fan of musicals, spots an advertisement for the local theater’s production of Wicked, she’s sure that nabbing a part will make her feel at home. But her father wants her to focus on wheelchair racing, and her mother doubts her ability to fit in; it’s up to Nat to prove she can take the stage. The authors know their stuff—Tony Award–winner Stroker was the first wheelchair user to be cast in a Broadway play, and Davidowitz is a playwright—and it shows. Nat’s relationship with her loving but overbearing parents rings perceptively and painfully true, as does her frustration with inaccessible venues and patronizing attitudes. Her enthusiasm for the theater is infectious, but readers needn’t be theater buffs to relate to her fear of growing apart from Chloe and her desire for independence. A quirky cast of secondary characters lends humor, support, and a little romance as they illustrate the fun and rigor of acting. Nat defaults to White; the secondary cast is somewhat diverse.
Fun, honest, and uplifting: applause!
(authors’ note) (Fiction. 9-12)