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ALI'S WELL THAT ENDS WELL

TALES OF DESPERATION AND A LITTLE INSPIRATION

A light, amusing work for fans of Wentworth’s quirky sense of humor.

A collection of comedic vignettes about life during the Covid-19 lockdown.

In her latest book, actor and comedian Wentworth focuses on her life during the first year of the pandemic. The author contracted the virus in March 2020, forcing her to spend more than two weeks in isolation. She describes her surreal experience getting tested and the even more bizarre “fever dreams” that accompanied her illness, and she recounts how her husband’s (ABC News anchor George Stephanopoulos) trip to the pharmacy to pick up her medicine made tabloid news. Wentworth also explores how our housecleaning standards changed for many of us during lockdown, and she shares the shock she felt regarding the state of her home when she emerged from isolation: “It was on par with a frat house after March Madness. It was Animal House. Literally and figuratively. As of that moment I wanted to put my family on double secret probation.” Like many of us, the author picked up some new hobbies during that time, including gardening and clamming (“Like diving for shells, there is a treasure-hunt element to the endeavor that I find irresistible”), and ate lots of junk food—not to mention spending an inordinate amount of time surfing the internet and watching TV. Once restrictions lifted, Wentworth ventured back out into the world, and she writes about getting lost and seeing a bear on a girls’ hiking trip and playing charades with Alan and Arlene Alda, Alec Baldwin, Marlo Thomas, and Phil Donahue. The author also shares poignant experiences from the time, including sending her daughter to college. “Think Cast Away, with my daughter as Wilson the volleyball,” she writes. While many readers will find plenty of relatable and/or laugh-out-loud moments, the author’s stories frequently diverge from the topic and include random, head-scratching details.

A light, amusing work for fans of Wentworth’s quirky sense of humor.

Pub Date: May 10, 2022

ISBN: 978-0-062-98086-1

Page Count: 208

Publisher: Harper/HarperCollins

Review Posted Online: March 25, 2022

Kirkus Reviews Issue: April 15, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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