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AFTER THE WAR

Tender, funny, and touching: a fitting close to an admirable career.

In her elegiac final novel, the late Adams picks up the story of Cynthia and Harry Baird where she left off in A Southern Exposure (1995).

It’s now August 1944, and Cynthia is home in Pinehill, the southern college town to which the couple relocated during the Depression. Harry, a naval officer, is stationed in London; daughter Abigail is about to start at Swarthmore. The opening scene, a party for Abigail and her Radcliffe-bound friend Melanctha Byrd, sets the stage with Adams's customary deftness. Cynthia is having an affair with war correspondent Derek McFall, who is “not in love with her, not at all.” Her maid Odessa, a stately black woman whose husband is also in the Navy, likes Cynthia but has little use for “her supposed best friend” Dolly Bigelow, a near-caricature of the bigoted southern belle who later proves to be not quite as dumb or prejudiced as she seems. Melanctha's father, alcoholic poet James Russell Lowell Byrd, and his much younger second wife, Deirdre, are among the other locals in attendance as readers absorb the town's ingrown, gossipy nature. Up north, meanwhile, Abigail falls in love with James Marcus, son of New York Jewish communists satirized with wicked accuracy as straitjacketed by their world's conventions just as tightly Cynthia's southern neighbors. Despite a plethora of love affairs and two deaths, almost everyone is essentially marking time, aware that America will be dramatically different “after the war.” The story closes two years later with a wedding. Most of the characters (depicted with Adams's trademark sensitivity) have made meaningful changes in their lives; even Cynthia and Harry's complex marriage seems to be healing after a rocky reunion. As in most of Adams's fiction, the quiet narrative concerns itself less with political issues (though white racism is a constant subtext) than with personal struggles, which coalesce to create an overall atmosphere of a slightly anxious yet always eager embrace of life's possibilities.

Tender, funny, and touching: a fitting close to an admirable career.

Pub Date: Sept. 26, 2000

ISBN: 0-375-40683-2

Page Count: 320

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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