The documentary muse of northern California's artistic upper-middle-class (Second Chances, 1988, etc.) toys with but never tackles the dangerous, fashionable issue of incest. The story—such as it is—goes like this: Caroline, a handsome affluent woman in her 60s, is returning to San Francisco with her third husband, Ralph, after a five-year sojourn in Portugal, taken so that Caroline could separate herself from the dramas of her five grown daughters: Sage, a pale, stooped potter of 40, who five years ago was having a disastrous affair with an older local pol named Roland Gallo and who since has married a flirt (and worse) named Noel; Fiona, petite, blond, and chic, proud owner of a trendy S.F. restaurant named after herself, who now is having her own affair with Roland Gallo; Jill, slightly younger facsimile of Fiona, an investment banker and part-time call-girl who is carrying on an affair with (yes) Noel; Liza, married, with three children, and worrisome only because she seems so contented; and young Portia, only daughter of Caroline and Ralph, who's been drifting until she discovers she's a lesbian. Well, Ralph dies of a heart attack: Sage attempts to seduce her stepfather, Caroline's second husband Jim McAndrew, and, when she fails, divorces Noel and becomes rich and famous from her pottery; Fiona's restaurant goes under, and Fiona is jilted by Gallo, who (it turns out) has always really lusted after Caroline; Jill is caught in a call-girl sting and later suffers injuries in a car accident with Noel; Liza publishes a short story; Portia inherits a house and takes a woman lover; and Caroline flees to Italy, with Roland Gallo in hot pursuit. In case all this leads you to imagine that Adams's latest has a plot—it doesn't. But it does have lots of food and wine, plenty of architecture, and constant emotional innuendo delivered in the author's patented mannered prose.
Pub Date: March 22, 1991
ISBN: 0671028480
Page Count: 324
Publisher: Knopf
Review Posted Online: March 14, 2012
Kirkus Reviews Issue: Feb. 15, 1991
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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