After a somewhat decorous launch, the charming characters get themselves a thrilling, moving plot. Crème de la WWII novel.
The dramatically intertwined fates of the residents of a Beaux Arts apartment building in Brussels, 1939-43.
The fiction debut of filmmaker and playwright Austen, this novel opens with a notarized roster of building residents, from the refugee seamstress Masha Balyayeva in the 5th floor maid’s room to the Sauvin and Raphaël families in 4L and 4R, to the building manager and preparer of this list, Jan Everard, on the ground floor. In an impressive display of Austen's storytelling skill, about a dozen of these individuals become point-of-view characters, unfurling an unusually colorful and intelligent, poignant and rich World War II novel, a special treat for the many fans of that genre. “To me, architecture is an idea about how we should live. A good architect creates a system of communication and relationships,” says Francois Sauvin, architect, in conversation with his neighbor, the art dealer Leo Raphaël—an idea that resonates through the novel in many ways. These two are the parents of Charlotte Sauvin, a gifted though colorblind painting student, and Julian Raphaël, aspiring filmmaker doing maths at Cambridge, childhood best friends and would-be lovers, if only Charlotte hadn’t met someone else at art school. In any case, all these lives are about to be derailed by the arrival of the Nazis, and as the novel opens in 1939, the Raphaël family has already disappeared overnight, along with their important painting collection (the mystery of the location of the paintings is one of myriad subplots Austen manages brilliantly). As the novel rotates among its plethora of first-person narrators, each with a distinctive voice, from the wry and cultured Sauvin to the horrible busybody Miss Hobert in 3R, the issue of how to live in terrible times is explored with insight, compassion, and steeliness. Among many ancillary pleasures is the ongoing attempt of the characters to make sense of the philosophy of Wittgenstein, and from his writing arises imagery that gives the novel’s fabric a furbelow of magical realism. Excellent banter also leavens the mix. In an exchange between horrible Hobert and architect Sauvin: “‘If I were you—’ she began. ‘And thank goodness, you’re not. If life has taught me anything, it’s that we need fewer men in this world.’”
After a somewhat decorous launch, the charming characters get themselves a thrilling, moving plot. Crème de la WWII novel.Pub Date: March 11, 2025
ISBN: 9780802164087
Page Count: 368
Publisher: Grove
Review Posted Online: Dec. 11, 2024
Kirkus Reviews Issue: Jan. 15, 2025
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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