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THE SEA KNOWS

An imperfect yet captivating introduction to the ocean habitat.

An introduction to the sea and some of the creatures that inhabit it.

Using the concepts of “sea” and “ocean” interchangeably, the book presents the ocean world in short rhythmic sentences that anthropomorphize it: “We are young. The sea is old. / The sea has secrets to unfold. / The sea knows.” Dynamic, colorful, semirealistic illustrations accompany the text. As the book progresses, readers find out what the sea knows: “The sea knows huge.” “The sea knows short.” “The sea knows bold.” “The sea knows bright.” “The sea knows wind, and waves that tower.” Sacrificing information for form, the evocative text provides no information alongside the illustrations to expand on these statements. For that, readers must rely on the backmatter. Since the intended audience is presumably not one familiar with marine life but rather one only just learning about it, reading the book becomes a cumbersome exercise of flipping back and forth between illustrations and backmatter. By doing this, readers find out “huge” is the blue whale; “short” are flat-topped crabs; “bold” are the clownfish that live among poisonous anemones; and “bright” is the luminescent comb jelly. The book has alluring illustrations and well-researched, interesting, and age-appropriate information; it is a pity the two were kept apart.

An imperfect yet captivating introduction to the ocean habitat. (Informational picture book. 4-8)

Pub Date: May 5, 2020

ISBN: 978-1-5344-3822-4

Page Count: 48

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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