by Alice Blumenthal McGinty ; illustrated by Laurel Molk ‧ RELEASE DATE: Aug. 9, 2022
A delightful testament to the power of community.
A shul’s congregants renew their temple.
Rabbi Ruben loves his synagogue, a place he believes should feel like “a happy home.” When he discovers a kitchen sink leaks, library floorboards creak, and sanctuary windows permit drafts, he springs into repairman mode, wanting to put things to rights as a Shabbat gift for his flock. With trusty toolbox and dog in tow, the rabbi attempts repairs and comes up with some ingenious ideas—e.g., stuffing challah dough into the faucet to stanch the leak. At first, Rabbi Ruben’s efforts seem to pay off, Friday night services proceed, and the rabbi is rightly proud, but then, alas, his skills as a spiritual leader prove to outshine those of a general contractor. After services, numerous congregation members—particularly women and kids—pool their know-how and pitch in to do the repairs correctly, confirming Rabbi Ruben’s theory that a synagogue, like a home, is for helping, sharing, and caring (crucial when a watery near disaster occurs). Happily, the following Friday night’s services take place without problems—or more fix-its. This warm, humorous tale is ably supported by lively mixed-media, digitally finished illustrations that affirm the story’s guiding principles of collaboration and cozy hominess. Rabbi Ruben is light-skinned; congregants are diverse in terms of skin tone and age. Jewish audiences will appreciate familiar details in text and art, but the important message about the spirit of togetherness is universal. (This book was reviewed digitally.)
A delightful testament to the power of community. (glossary) (Picture book. 5-8)Pub Date: Aug. 9, 2022
ISBN: 978-1-5362-1086-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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