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A visually compelling take on the refugee experience that may be too lofty for its target audience.

A family of mice suddenly find their cozy red knitted home unraveling.

No longer safe, the creatures flee, traveling past various dangers in search of refuge. With the help of welcoming neighbors, they build a colorful home from the remnants of their old dwelling and new yarn balls—symbolic representations of the heavy emotional burdens that they can now release. Laced with knitting terminology, this French import explores the turmoil and heartache endured by many refugees. Photographs of yarn and knitting needles combine with muted line drawings of the animals for a visually rich tale that makes effective use of texture, shadow, and color. The author and illustrator use yarn, portrayed here as both a means of escape and a symbol of peril, to heighten the emotional and physical tension. Though the artwork is approachable and kid-friendly, the abstract text at times risks framing refugees as passively or willingly accepting their fate (“We leave without making a fuss,” “We leave without a word of complaint”). While adults will appreciate the poignant message about rebuilding a life (“With these threads of ourselves, / with these spools of worry, / knit one in silk, / purl one in wool”), the complex figurative language may go over children’s heads. Still, with a loving grown-up to put the work in context, it could spark conversations about the effects of being uprooted.

A visually compelling take on the refugee experience that may be too lofty for its target audience. (Picture book. 4-7)

Pub Date: Feb. 18, 2025

ISBN: 9780802856395

Page Count: 32

Publisher: Eerdmans

Review Posted Online: Oct. 25, 2024

Kirkus Reviews Issue: today

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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