A well-researched, culturally sensitive time capsule.
Through the lens of the music and its ethos, a former DJ examines what made the folly of the disco years so indelible.
Echols (American Studies and History/Rutgers Univ.; Shaky Ground: The Sixties and Its Aftershocks, 2002, etc.) opens with the memory of one of the early zeniths of her music-programming career in the mid-1970s. She worked at the Rubaiyat discotheque in Ann Arbor, Mich., where the disco movement slowly began to influence her clientele, including “Madonna Ciccone, who is said to have danced there before dropping out of U of M and heading off to New York.” Yet, the author notes, the epoch had its detractors; many dismissed the trend as a “lamentable and regrettable period in American history.” That general consensus failed to thwart Barry White, whose “Love’s Theme” went on to become the first disco track to crack the top spot on the Billboard pop charts. Distinguished with hints of traditional funk and soul, the “insistent and whomping” beat of the R&B and Motown sound became the “incubator of disco.” From a cultural standpoint, however, Echols points out that conversely, this particular harmonious amalgam “seemed a crazy reversal of all that the black freedom movement had fought for.” The author attributes much of disco’s success to the homosexual community’s collective embrace, spurred by gay DJs like Tom Moulton (originator of the “remix”), who not only held prominent posts in nightclubs, but also within the music promotional industry. From disco’s earliest incarnations, homosexual men celebrated the “gay glitterball culture” at respected New York nightclubs. But as their popularity increased, so did a propensity toward racial and gender exclusivity. The mid-’70s became all about “the music, mix, drugs, lights, sound systems, and an unmistakable uniformity of dress.” A resurgence in male “macho” masculinity followed, though female (and male) “divas” like Donna Summer, Patti LaBelle and Sylvester dominated the charts. Echols concludes with contemporary commentary on disco’s predictable resurgence since “pop music is full of unlikely turnabouts.”
A well-researched, culturally sensitive time capsule.Pub Date: March 29, 2010
ISBN: 978-0-393-06675-3
Page Count: 288
Publisher: Norton
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: Jan. 15, 2010
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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