Pride of place in this second collection of ten stories by Dark (Naked to the Waist, 1991) is given to a tale that has already become something of a contemporary classic. The title piece (successfully adapted for TV) portrays the restrained sorrow of a mother who cares for her adult son as he’s dying from AIDS, and her eventual realization that he—not her buttoned-up cold fish of a husband—has been “the love of her life." It’s the most immediately arresting, though not nearly the most accomplished, of Dark’s knowing, if occasionally slightly clichÇd, dramatizations of romantic obsession, marital discord, and family unhappiness. In “Close,” for example, a disoriented father-to-be wrestles—fairly predictably—with the temptation to cheat on his pregnant wife. “Home” depicts the confused reminiscences of marriage and motherhood of an Alzheimer’s patient being herded into a nursing home. And “The Jungle Lodge” portrays two sisters matured in different ways by a vacation in Peru with their doting stepfather. The more ambitious tales are generally better. “Dreadful Language” encapsulates the whole lifetime of a “judgmental” girl who coolly distances herself from loved ones, marries for comfort, and finds she has condemned herself to a life of unfulfillment. In “The Tower,” an amusing parody of Henry James’s tales of renunciation, a fortyish bachelor encounters at home and abroad an enticing young woman with whom he finds he must settle for a platonic friendship. The story even apes James’s penchant for injecting workaday metaphors (“Clara, . . . had depleted her tanks”) into otherwise ultra-genteel periodic sentences. And “Watch the Animals” deftly chronicles an unconventional heiress’s effect on her social set, in a story narrated in an eloquent first-person plural voice. Interesting forays into Cheever and Alice Adams territory, with a trace of Deborah Eisenberg’s range of subject matter. A generally worthy successor to Dark’s well-received debut volume. (First serial to Harper’s)
Pub Date: Jan. 1, 2000
ISBN: 0-684-86521-1
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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