Pride of place in this second collection of ten stories by Dark (Naked to the Waist, 1991) is given to a tale that has already become something of a contemporary classic. The title piece (successfully adapted for TV) portrays the restrained sorrow of a mother who cares for her adult son as he’s dying from AIDS, and her eventual realization that he—not her buttoned-up cold fish of a husband—has been “the love of her life." It’s the most immediately arresting, though not nearly the most accomplished, of Dark’s knowing, if occasionally slightly clichÇd, dramatizations of romantic obsession, marital discord, and family unhappiness. In “Close,” for example, a disoriented father-to-be wrestles—fairly predictably—with the temptation to cheat on his pregnant wife. “Home” depicts the confused reminiscences of marriage and motherhood of an Alzheimer’s patient being herded into a nursing home. And “The Jungle Lodge” portrays two sisters matured in different ways by a vacation in Peru with their doting stepfather. The more ambitious tales are generally better. “Dreadful Language” encapsulates the whole lifetime of a “judgmental” girl who coolly distances herself from loved ones, marries for comfort, and finds she has condemned herself to a life of unfulfillment. In “The Tower,” an amusing parody of Henry James’s tales of renunciation, a fortyish bachelor encounters at home and abroad an enticing young woman with whom he finds he must settle for a platonic friendship. The story even apes James’s penchant for injecting workaday metaphors (“Clara, . . . had depleted her tanks”) into otherwise ultra-genteel periodic sentences. And “Watch the Animals” deftly chronicles an unconventional heiress’s effect on her social set, in a story narrated in an eloquent first-person plural voice. Interesting forays into Cheever and Alice Adams territory, with a trace of Deborah Eisenberg’s range of subject matter. A generally worthy successor to Dark’s well-received debut volume. (First serial to Harper’s)
Pub Date: Jan. 1, 2000
ISBN: 0-684-86521-1
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
Carefully worked tales that are as good as many and better than most.
A first collection from Irish-born Keegan spans the Atlantic, touching down in rural Ireland and the southern US—with results often familiar or stretched-for, yet deftly done and alluringly readable.
In the title story, a happily married woman wants to find out what it’s like to have sex with someone else—and does so indeed, in a psychological clunker that crosses Hitchcock with O. Henry while remaining ever-intriguing to the eye. A near-wizardry of language and detail, too, closes the volume, with “The Ginger Rogers Sermon,” when a pubescent girl in Ireland, sexually curious, brings about the suicide of a hulking lumberman in a tone-perfect but morally inert story. In between are longer and shorter, greater and lesser tales. Among the better are “Men and Women,” about a suffering Irish farmwife who at last rebels against a cruelly domineering husband; the southern-set “Ride If You Dare,” about a couple who shyly meet after running personals ads; and “Stay Close to the Water’s Edge,” about a Harvard student who despises—and is despised by—his millionaire stepfather. Psychologically more thin or commonplace are “Storms,” told by an Irish daughter whose mother went mad; “Where the Water’s Deepest,” a snippet about an au pair afraid of “losing” her charge; or “The Singing Cashier”—based on fact, we’re rather pointlessly told—about a couple who, unbeknownst to their neighbors, commit “hideous acts on teenage girls.” Keegan’s best include the more maturely conceived “Passport Soup,” about a man devoured by guilt and grief after his daughter goes missing while in his care; “Quare Name for a Boy,” in which a young woman, pregnant by a single-fling boyfriend whom she no longer has an interest in, determines that she’ll go on into motherhood without him; and the nicely sustained “Sisters”—one dutiful and plain, the other lovely and self-indulgent—who come to a symbolically perfect end.
Carefully worked tales that are as good as many and better than most.Pub Date: July 1, 2001
ISBN: 0-87113-779-8
Page Count: 208
Publisher: Atlantic Monthly
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2001
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