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JUST LIKE A MAMA

A beautiful story of love and kinship, so needed for the many children living apart from their nuclear families.

Because Carol Oliva Clementine cannot live with Mommy and Daddy, the child lives with Mama Rose.

Carol Oliva Clementine, a light-brown–skinned child with a sandy-red afro puff, describes life with Mama Rose, a dark-skinned black woman. Readers don’t learn why Carol Oliva Clementine came to live with Mama Rose. While readers also aren’t told how long they’ve lived together, Carol Oliva Clementine describes two birthdays with Mama Rose: the fifth, when the child received a watch and learned to tell time, and the sixth, when Mama Rose gave her little one a yellow bicycle. Carol Olivia Clementine is presented as a happy and carefree little child who misses Mommy and Daddy but is also happy to live with Mama Rose, who lovingly calls the child Lady Bug. The illustrations are bright and playful, conveying the deep warmth of affection between the two. One spread in which Mama Rose does her charge’s hair and then swaddles Carol Olivia Clementine for winter play bears out the truth of the title. It is curious, however, that Carol Olivia Clementine and Mama Rose wear the same clothing throughout the book even though multiple seasons pass. In an author’s note, Duncan tells of her own experience with a kinship adoption.

A beautiful story of love and kinship, so needed for the many children living apart from their nuclear families. (Picture book. 3-6)

Pub Date: Jan. 14, 2020

ISBN: 978-1-5344-6183-3

Page Count: 40

Publisher: Denene Millner Books/Simon & Schuster

Review Posted Online: Oct. 26, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE VERY BEST HUG

A delightfully silly celebration of familial love.

A child in search of the best hugger takes a bedtime tour of the world’s most unusual embraces.

In the opening pages of this rhyming picture book, an unnamed narrator asks a curly-haired, tan-skinned child who they think gives the best hugs. At the narrator’s behest, the protagonist spends their bedtime routine receiving affection from a wacky cast of creatures, ranging from meerkats to porcupines to narwhals. These animals have a variety of body types, but even those with a lack of limbs still express their love; the seahorse, for example, gives the child a “smooch” right before bathtime, and a grinning cobra offers the child a “clinch,” wrapping itself around their leg. Although many of the animals prove to be more prickly than cozy—the narrator points out, for example, the sharpness of bird beaks and porcupine quills—even the snuggliest koalas and bears cannot compare to the best hug of all: a parent’s embrace right before bedtime. The use of second-person address combined with the protagonist’s beautifully illustrated facial expressions and the buoyant, clever lines of verse render this book a hilarious and whimsical ride sure to delight both children and the adults who read to them. The pictures and text work together to create a clear narrative arc for the protagonist, and though the ending is a bit predictable, it’s nevertheless a wonderful payoff. (This book was reviewed digitally.)

A delightfully silly celebration of familial love. (Picture book. 3-6)

Pub Date: Jan. 24, 2023

ISBN: 978-1-5476-1236-9

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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