Originality and cerebral playfulness combine with affecting family drama to make a satisfying, lively novel.
In this debut novel, a British girl grows up half believing she’s an actual alien because she views the world so differently than other children.
An unnamed, omniscient narrator tells the 3-year-old girl the story of her life to come. Franklin hits all the notes common in novels about children on the spectrum or having “issues.” Little Alien, as the narrator calls her, is bullied by other children and by teachers, reads situations with an eccentric yet oddly insightful literalness, and acts out her frustration with guttural noises. Yet the book’s tone and structure offer unexpected surprises. The narrator addresses the novel directly to Little Alien and also includes numerous footnotes that define terms, suggest further readings, and explain complex concepts to both Little Alien and the reader as the novel evolves into a deep dive into an actual, somewhat academic, ongoing mystery surrounding the Voynich Manuscript, an illustrated codex discovered in 1912 and now residing at Yale’s Beinecke Library. Dating from the 1400s, the manuscript includes odd pictures and writing in a language no one has yet decoded. At 12, Little Alien happens upon a television interview in which the widow of a Voynich researcher mentions that her husband believed the manuscript was the work of aliens. Little Alien’s interest is piqued. Until now she has suffered through childhood discounted as an oddball at school while coping with her mother’s bouts of mental illness at home (fortunately aided by her sane, loving, understandably anxious father). Discovering the Voynich Manuscript changes her life, giving her not only a sense of direction but a pathway toward friendship and self-acceptance. Along the way she meets a series of unlikely protectors, not least a linguist who sees nothing alien about her new protégé. The writing can be a bit arch, and sometimes repetitive, but these are minor quibbles.
Originality and cerebral playfulness combine with affecting family drama to make a satisfying, lively novel.Pub Date: Feb. 11, 2025
ISBN: 9780316576055
Page Count: 304
Publisher: Little, Brown
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
