Some moving material about love and loss, swamped by authorial excess.
A ghost in a down-at-the-heels London hotel ties together three tragic romances in Hoffman’s latest (Skylight Confessions, 2007, etc.).
Though all three episodes are strongly conceived with complex characters, the connecting material includes carelessly repetitive plot devices (warring sisters, cancer-stricken mothers), highly improbable links among the major figures and a seriously overused blue heron. The “third angel” metaphor is also heavy-handed, but at least has a tangible connection to the plot. In addition to the Angel of Life and the Angel of Death, Dr. Lewis tells his daughter Frieda, there’s a Third Angel, “who walked among us, who sometimes lay sick in bed, begging for human compassion.” Frieda passes along this insight to Allie, who marries Frieda’s dying son Paul during the summer of 1999 in the novel’s first section. Though Allie’s furiously jealous younger sister Maddy does everything she can to destroy the wedding—including sleeping with Paul, who’s trying to convince his fiancée that he doesn’t deserve her—nothing can kill the love that blossoms in Allie as Paul’s illness grows mortal. Section two moves back to 1966, when 19-year-old Frieda has fled her father’s plans for her to become a doctor and gone to work as a maid at the Lion Park Hotel. Frieda falls in love with Jamie, the junkie rock star in Room 708, and writes him two songs: “The Third Angel” and “The Ghost of Michael Macklin.” The latter is about the specter introduced in the book’s opening pages, when Maddy hears shouting in Room 707 and learns that something terrible happened there in 1952. In fact, it was Maddy and Allie’s mother, then 12 years old, who witnessed the incident that created the ghost, an outgrowth of yet another doomed wedding. The particulars are recounted in the closing section, which features another cluster of full-bodied characters. By now, however, the piling up of disasters and coincidences has become ridiculous.
Some moving material about love and loss, swamped by authorial excess.Pub Date: April 1, 2008
ISBN: 978-0-307-39385-2
Page Count: 288
Publisher: Shaye Areheart/Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2008
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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