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FRENCH LESSONS

A MEMOIR

``What do students need to know about their teachers?'' asks Kaplan (French Literature/Duke; Reproductions of Banality, 1986, etc.—not reviewed): ``How do I tell them who I am, why I read the way I do?'' Here, the author is thinking of the mysteries of her own teacher, Paul de Man—but her memoir, though artful, hasn't the intellectual force or interest of de Man's writing. There's an appealing symmetry to Kaplan's memories: Her father, who died when she was seven, prosecuted Nazi war criminals, and she grew up to confront the ``negationists,'' French intellectuals, such as Maurice Bardäche, who denied the Holocaust. And there are interesting symbols here too: her father fighting bats at their summer home; the young author, age 16, making love in a cemetery; the French language itself offering a refuge, an alternative way of looking at things, a ``home.'' Kaplan enjoyed a sheltered and favored existence: Swiss boarding school; Berkeley, with junior year abroad; Yale in the 70's, where she acquired the right accent, studied elegant writers, and debated which language to speak in and what it meant to be bilingual. The author's primary debts seem to be to men: her father; her French lover; one ``Mr. D.'' (a classmate's wealthy father, who gave her an unforgettable day in Paris); an ``Oxbridge don'' who made her ``happiness...complete'' when he quoted from her book; and de Man- -whose defense, regarding his Nazi associations, she frames in his own terms: that theory shouldn't be confused with life. The major impression Kaplan gives here is of how very interesting life can be to a French professor, especially at a time when French intellectuals dominate academic critical thought— making this enjoyable reading for Francophiles, perhaps, but not for many others.

Pub Date: Sept. 15, 1993

ISBN: 0-226-42418-9

Page Count: 221

Publisher: Univ. of Chicago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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