A jam-packed view of the creative process of two imaginative siblings.
Twins Violet and Victor are back for another bout of collaborative (and sometimes competitive) writing.
Violet, who loves writing and storytelling, sets about creating “the most fabulous fairy tale in the history of fairy tales.” Victor, engrossed in his project about Australian animals, pooh-poohs make-believe. The twins spar in text type that’s color-coded with their T-shirts—violet (natch) and orange, respectively. The tale they jointly create is written on rectangles of lavender or orange notebook paper, hand-lettered by the artist. Violet’s rather schmaltzy start (“Fairy Tale Kingdom is a marvelous place”) gets a jolt when Victor inserts a wicked witch who's annoyed over the portrayal of witches in fairy tales. She bans them, banishing “Princess Violet to an island in Fairy Tale Ocean. Violet could never write another fairy tale.” Dismayed but undaunted, Violet recovers, regaling the witch with minitales of talented, happy, generous witches who bake cakes to share (with much-loved Australian animals, in fact). Murguia layers digital compositions with printed pages, doilies, maps, and swirls of stippled paint. Dark blue-greens and purples signal the fairy tale’s arc, while white space is employed for the twins in situ. Their faces and skinny limbs loosely sketched against white space, the two join the marketplace’s growing legion of cartoonish, de facto–Caucasian characters.
A jam-packed view of the creative process of two imaginative siblings. (Picture book. 4-7)Pub Date: Jan. 19, 2016
ISBN: 978-0-316-21202-1
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Oct. 5, 2015
Kirkus Reviews Issue: Oct. 15, 2015
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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