by Alice McDermott ‧ RELEASE DATE: Jan. 1, 1998
McDermott (At Weddings and Wakes, 1992, etc.) extends her view of Irish-American life with this gentle portrait of an alcoholic freshly dead from drink, and of the family he leaves behind to reveal and remember. Everyone at the wake agreed that Billy Lynch was a fine man- -when sober. But they also knew something of his pain, born from the long-ago death of his fiancÇ just before she was to come back to Brooklyn after a trip to Ireland. Only his cousin and best friend Dennis, though, knew the whole story: Eva didn't die, but she did marry her Irish love—a fact he concealed from Billy for 30 years, not knowing that Billy would mourn what might have been for the rest of his life, even after he met and married the gentle, love-struck Maeve. Then, in Ireland in 1975, to take The Pledge after years of hard drinking, Billy learned the truth by chancing to meet Eva as he was on his way to visit her grave—and promptly took back his Pledge. As he had in times previous, Dennis helped Maeve through the years that followed, answering Billy's wee-hours phone calls and bringing him to bed whenever he'd passed out, even as Dennis's own wife sickened of cancer and died. And now Dennis's daughter, grown with children of her own, has come home to support him after Billy was found dying in the street—just as Dennis supported Billy and Maeve, and as his father before him supported countless penniless Irish relations as they made the leap across the Atlantic to a new life. It's this daughter who puts the pieces of Billy's sad but profoundly loyal existence together, mingling them with her father's and her own in a special way that leaves her well prepared for the turn of events to come. A softly resonant and nostalgic tale told so masterfully, so movingly, that it seems to distill a human essence on virtually every page.
Pub Date: Jan. 1, 1998
ISBN: 0-374-12080-3
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1997
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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