Not a major work, perhaps, but if a minor one, then well done.
The travel memoir of a professional woman on a Grand Tour.
In 1993 Steinbach, Pulitzer-winning journalist and divorced mother, went on a nine-month sabbatical in Europe. "In this, my Year of Living Dangerously, I was . . . wading into the stream of the unknown, accepting whatever the gods had to offer." Her sojourn begins in the Faubourg-St. Germain during a Parisian spring, where she meets Naohiro, a Japanese widower in whom she develops a romantic interest. In London for the summer, Steinbach meets a trio of women who become her nursemaids when she falls ill; she befriends Jean, an Australian psychoanalyst, at Freud’s house and joins her for dinner with the smart set. Steinbach enrolls in a late-summer course at Oxford, learns an important lesson about ballroom dancing from Barry, her pot-bellied instructor, and wanders up and down the Italian peninsula, frequently turning to memories of Naohiro for emotional sustenance and to the words of Freya Stark for spiritual guidance. If the adventure evolves without the higher risk of other kinds of travel (and travel memoirs), and if the dramatic episodes primarily involve civilized exchanges with shop clerks and museum- goers, Steinbach doesn’t make more of getting lost around Brasenose College or of hitting upon the perfect wedding gift for a temporary friend than she can (or should); the book quickly loses its early sense of willed promise and gains a likable, well-mannered modesty as it unfolds—the quiet, nothing-to-it triumph of getting from an unfamiliar airport to a distant hotel.
Not a major work, perhaps, but if a minor one, then well done. (color illustrations, not seen) (Author tour)Pub Date: May 1, 2000
ISBN: 0-375-50188-6
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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