Here and there tantalizing remnants of the writing that made The Color Purple such a critical success, but for the most part Walker's latest is held hostage to an agenda—the eradication of female circumcision in Africa and the Middle East—a cause to which she will be contributing a portion of the royalties. A range of voices, including husband Adam, son Benny, and the character Tashi herself, tell the story of the Olinka girl who made a brief appearance in The Color Purple. Married to Adam, the young African-American missionary who took her back to the US, Tashi has suffered intermittent periods of madness since she was brutally circumcised as an adolescent in a remote guerrilla camp in Africa. It's a madness that has required hospitalization and treatment by a range of analysts, including the great Jung, who puts in a cameo appearance here. Though her older sister had bled to death from the effects of the operation, Tashi chose to have it done because she felt it would make her "...completely woman. Completely Africa. Completely Olinka." The operation also was responsible for a difficult delivery in which her son Benny was brain-damaged. Helped by therapy, her grief turns to anger: she returns to Africa and murders the old woman who performed the operation. Sentenced to death, Tashi, who feels neither guilt nor fear of death, is finally at peace because an anthropologist tells her about the mythic causes of the practice: the early African woman, "the mother of womankind," was "notoriously free" of both sexual guilt and circumcision; invading tribes and Arabs were responsible for its imposition. Dying, Tashi finally possesses the "secret of joy": the resistance to what is evil. A pastiche of New Age mysticism, dubious history, and feminist ideology tied to a storyline that points a moral, heavily underlined, rather than one that grows out of a tale. Female circumcision is a terrible travesty, but neither it nor Walker's talent is well served by this overwrought novel.
Pub Date: June 30, 1992
ISBN: 0-15-173152-7
Page Count: 148
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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