Walker’s “recipe[s] for difficult times” provide a heartfelt response to a new generation’s yearning for public service.
In a new collection, Walker (The Chicken Chronicles, 2012, etc.) once again shows herself to be a deep and compassionate participant in global humanitarian efforts.
Beginning with a meditation on the promise wrought by the first inauguration of Barack Obama, the author’s essays, poems and letters are infused with a quiet grace and gentle resolve to act responsibly. Although now in her 60s and looking forward to a time to “withdraw from the worldly fray,” Walker was prodded off her meditation “cushion” in Mexico by world events and sent flying to far-flung places in the world that required her keen, writerly eyewitness. For example, one essay was inspired by finding herself in Cape Town, South Africa, as a juror at the Russell Tribunal on Palestine. She also headed to Gaza with CODEPINK and the Freedom Flotilla II, and she composed another essay about her “overcoming speechlessness” after the horrors witnessed in Rwanda and Eastern Congo. Brave, resilient and upbeat, Walker offers unbending meditations on injustice wherever she has met it. The “womanist” author explains why she supported Obama over “Mrs. Clinton” (“if he wins the presidency we will have not one but three black women in the White House…none of them carrying the washing in and out of the back door”) and offers reflections on her early teacher Howard Zinn and her early work for the freedom movement in Mississippi.
Walker’s “recipe[s] for difficult times” provide a heartfelt response to a new generation’s yearning for public service.Pub Date: April 2, 2013
ISBN: 978-1-59558-872-2
Page Count: 384
Publisher: The New Press
Review Posted Online: Jan. 29, 2013
Kirkus Reviews Issue: Feb. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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