A brief but memorable tale with prose that sings.
A lyrical historical novella about an elusive young Parisian woman who flees from her family and romantic relationships.
When Guy, a solitary banker, buys stolen roses from an 18-year-old “vagabond” named Emilie, they forge a tempestuous connection that binds them together for years. Though she now lives on the streets, the young woman is a member of one of the wealthiest families in the City of Light; she ran away as a child after the death of her parents in a train crash. Guy is enthralled with her after their first meeting, but after they become lovers, he finds that Emilie refuses most of the constrictions of Edwardian society, from corsets and hats to marriage. The traditionally minded Guy takes this as rejection, and after he impulsively abandons her at a train station, they’re separated forever, which tortures Guy for years. The novella gradually coalesces around the theme of the desire to define the people one loves in order make oneself feel safe. For Emilie, this is shown to feel like imprisonment, even though she longs for love. She continues to elude all who seek her—even her aunt and former nurse who’ve never forgotten their lost child. This novella is comprised of many poetic vignettes that come together for a tantalizing whole that still somehow feels incomplete, as if the reader is searching, and failing, to find Emilie. The chapters are told in a series of intimate stream-of-consciousness first-person perspectives, as in this narration from Guy: “I construct a play without words because I have said nothing to you, and you, in turn, have said nothing to me. Where in this universe are you that I should know your lost language?” All the characters feel like brief sketches except for Emilie herself, and some chapters are figments of her imagination. Indeed, the story circles her like a haunting dream, with imagery taking precedence over plot.
A brief but memorable tale with prose that sings.Pub Date: April 4, 2023
ISBN: 9781737521945
Page Count: 220
Publisher: Tattered Script Publishing
Review Posted Online: March 6, 2023
Kirkus Reviews Issue: May 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
PROFILES
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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