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WOMEN AND CHILDREN FIRST

A smart, propulsive novel attentive to the ways community can fall short.

A debut novel set in Nashquitten, Massachusetts, a fictional seaside town.

A teenager named Lucy Anderson dies under mysterious circumstances at a party after a video clip of her having a seizure circulates on social media. Grabowski’s novel traces a constellation of relationships, some intimate and others incidental, between Lucy and 10 girls and women who narrate the stories of their lives. Jane, who attends the local public high school with Lucy, is having an affair with her math teacher and caring for her mother, who suffers from a mysterious chronic illness. Natalie has managed to escape her hometown but ends up working for the tyrannical founder of a San Francisco startup, a decision she begins to regret when she returns home to care for her sick mother. Mona, Natalie’s best friend and old rival who told her to take the job, crosses paths with two of the girls who witnessed Lucy’s accident. Though Mona knows one of them and can tell they’re both in trouble, she chooses to do nothing. “[This] is the danger of girls,” Mona thinks. “They look like deer when, really, they’re wolves.” This comment could just as easily describe Mona and many of the novel’s female protagonists. Women suffer at the hands of men—besides the lascivious math teacher, there’s also a coach who’s sexually assaulting students—but they also betray each other. That’s the case with Maureen, president of the high school PTA. She’s a do-gooder who is trying to organize a memorial for Lucy, but she also has made a huge moral compromise to protect her daughter, who did something cruel. Each of the book’s first-person sections takes its time, fully immersing us in the dreams of its narrator and how those dreams have been frustrated. Girls and women inflict damage on each other by being too close and not recognizing their own agency and power, and also because disrupting systems of male privilege is difficult. Grabowski’s exploration of all these ideas makes for a brilliant novel.

A smart, propulsive novel attentive to the ways community can fall short.

Pub Date: May 7, 2024

ISBN: 9781638930785

Page Count: 336

Publisher: SJP Lit/Zando

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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