As Simone confesses, “the further I drifted from any kind of central narrative,” the less this brief book has much of...
A short book about trying, and failing, to find something new to write about Madonna.
As a singer/songwriter–turned-writer, journalist and novelist (Note to Self, 2013, etc.) Simone recognizes both similarities and differences between her experience and Madonna’s. Trying to get a handle on her story, she begins at the beginning, traveling to Madonna’s birthplace of Bay City, Michigan, a city that seems to have an ambivalent relationship with her fame. Though the predictable trajectory would leave the launching pad of Michigan for the fame the artist found in Manhattan, where the author’s ambitions also took her, this book is all but stillborn in Bay City. From the start, she writes, “the logistics of writing a new book about Madonna, I soon discovered, were crushing,” with so much already out there, “and the truth was—I was failing.” There is some provocative analysis here, about how Madonna was both a woman of “ruthless ambition” and omnivorous sexuality, which is different than being someone who exploited her sexuality to get ahead (though perhaps she did that as well). There is a discussion about how stunning she was as a dancer before she became more professionally aerobicized and how the author felt that Sinéad O’Connor was the more epochal artist than Madonna before realizing that “Madonna started out as a freak and a loser, not so different from the flannelled freaks and losers I hailed as saviors.” At a point where Simone says she decided to give up and return her advance, the author circles back to Bay City, where she learned more about Question Mark and the Mysterians—who also originated there—than readers will learn about Madonna. The author delves far deeper into obscurity in her quest to discover what she can about the seminal Michigan heavy rock band Flying Wedge.
As Simone confesses, “the further I drifted from any kind of central narrative,” the less this brief book has much of anything to do with Madonna.Pub Date: March 1, 2016
ISBN: 978-0-292-75946-6
Page Count: 138
Publisher: Univ. of Texas
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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