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YOU MUST GO AND WIN

Wry memoir from an Eastern European indie-rock sensation.

A significant strength of this literary debut from singer Simone—whose second full-length original album will be released this fall—is her prose style, which is vibrant, taut and humorous. Born in Ukraine, she emigrated with her family to Massachusetts in the waning days of Soviet rule, after her professor father ran afoul of the KGB. The author amusingly portrays this experience as having transformed her family into caustic Kafkaesque eccentrics. The young Simone’s response was to retreat into bohemian creativity. One chapter documents the bittersweet review of artsy VHS tapes she made with a teenage pal who went on to fame in the Dresden Dolls. The author married young and pursued a career making independent folk-rock that, for a number of years, seemed cursed. After a particularly futile and creepy audition, she writes, “There is a certain peace that comes with the realization you aren’t ruining anyone’s life but your own.” Yet, over time, Simone managed to build an enthusiastic, cultish audience, bolstered in 2008 with her release of an album honoring Yanka Dyagileva, a Russian folk-punk performer who’d died mysteriously. The most provocative and engaging chapters document the author’s wanderlust. In addition to touring the country, playing her music in run-down venues, she traveled on multiple occasions to Siberia, her remote hometown and elsewhere in the former Soviet Union. At points, she departs on spiritual tangents, as when she discusses her obsessive research on the Skoptsy, an obscure 19th-century Russian sect that practiced castration—she found this a good conversational topic for discouraging nightclub suitors. The chapters that focus on her travails as a Brooklyn-based aspiring musician are both less interesting and more familiar than Simone seems to perceive. The author skillfully captures the forlorn waiting-to-be-famous existence of young creative people, yet these passages become somewhat self-indulgent and unsurprising.

 

Pub Date: June 14, 2011

ISBN: 978-0-86547-915-9

Page Count: 256

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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