THE WORK WIFE

Inside the perfectly curated fortress of privilege that is the estate of a Hollywood billionaire, threatening tremors of a #MeToo earthquake are felt.

“Ted Stabler—the wunderkind who’d directed The Starfighter trilogy...was a late riser, but once he began his day he worked tirelessly, often until one or two in the morning. Teeing up the conditions he needed to task-shift seamlessly without squandering a minute would take all of Zanne’s focus.” Hart’s knowing, ripped-from-the-headlines debut takes us behind the scenes of Ted’s world on a day of reckoning—the day the Stablers host a “Bump and Pump” benefit for low-income women. Things get off to an inauspicious start when the party monkey pisses on the computer server, and sure enough, this is the day each of Ted's three wives (first wife, second wife, work wife) will watch the ugly truths of her position explode. Zanne Klein—described by her girlfriend as “Snow White, if Snow White was a daddy”—is the work wife, a queen bee in the hive of workers that includes everything from Ivy League graduates to a retired NFL star. Thanks to this group of people, Holly Stabler, Ted’s second wife, spends her days in what looks like glamorous ease but is actually infantilized hell. “Joe paid her bills, Flora made her bed, Erin made her doctor’s appointments and filled her prescriptions, Ilya and James drove her children to school, Katya packed their lunches, Mark hired and fired her household staff, Lau­ren tried on her clothes, Erin signed her name and imperson­ated her voice, Dawn and Zanne delivered her messages to Ted when he ducked her calls.” Holly is one of the few who know that Ted was previously married to a Korean American woman named Phoebe Lee, now an English teacher in the Bay Area. Phoebe was co-producer of the first two Starfighter flicks, but the couple split up before following through on their plan to produce her passion project, and she dropped out of sight. Now, after 20 years, she’s back in town. This book flies on a magic carpet of seamless, intricate detail, much of it from work experience the author acknowledges in an afterword. Whether we’re dropping in on Holly with her glam squad or watching in wonder as headset-wearing assistants track the movements of their bosses like world leaders, there’s never a moment's slip in authenticity or momentum.

Riveting details of a fascinating hidden world support a ruthless takedown of misogyny and entitlement. One hell of a debut.