by Alison Bechdel illustrated by Alison Bechdel ‧ RELEASE DATE: May 1, 2012
Subtitled “A Comic Drama,” the narrative provides even fewer laughs than its predecessor but deeper introspection.
A psychologically complex, ambitious, illuminating successor to the author’s graphic-memoir masterpiece.
Though Bechdel had previously enjoyed a cult following with her long-standing comic strip, Dykes to Watch Out For, she raised the bar for graphic narrative with her book debut, Fun Home (2006). That memoir detailed her childhood in the family’s funeral home, her closeted and emotionally distant father’s bisexuality, his questionable death (an accident that was most likely a suicide) and the author’s own coming to terms with her sexuality. On the surface, this is the “mom book” following the previous “dad book.” Yet it goes more deeply into the author’s own psychology (her therapy, dreams, relationships) and faces a fresh set of challenges. For one thing, the author’s mother is not only still alive, but also had very mixed feelings about how much Bechdel had revealed about the family in the first volume. For another, the author’s relationship with her mother—who withheld verbal expressions of love and told her daughter she was too old to be tucked in and kissed goodnight when she turned 7—is every bit as complicated as the one she detailed with her father. Thus, Bechdel not only searches for keys to their relationship, but perhaps even for surrogate mothers, through therapy, girlfriends and the writings of Virginia Woolf, Adrienne Rich, Alice Miller and others. Yet the primary inspiration in this literary memoir is psychoanalyst Donald Winnicott, whose life and work Bechdel explores along with her own. Incidentally, the narrative also encompasses the writing of and response to Fun Home, a work that changed the author’s life and elevated her career to a whole new level. She writes that she agonized over the creation of this follow-up for four years. It is a book she had to write, though she struggled mightily to figure out how to write it.
Subtitled “A Comic Drama,” the narrative provides even fewer laughs than its predecessor but deeper introspection.Pub Date: May 1, 2012
ISBN: 978-0-618-98250-9
Page Count: 224
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Feb. 5, 2012
Kirkus Reviews Issue: Feb. 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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