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NOTES ON YOUR SUDDEN DISAPPEARANCE

This tragicomic bildungsroman in the shadow of loss will invade your heart and hold on tight.

In her second novel, Espach portrays a family coming to terms with, and never coming to terms with, the loss of their eldest daughter.

As a young teenager, Sally Holt is in awe of her older sister, Kathy, who seems to have all the answers to life’s questions. But when Kathy dies in a car crash, Sally is left to grow up in the shadow of her loss. Espach makes an interesting choice in her title, describing the event not as a death but rather a disappearance. What’s the difference? The first means gone forever. The second is more ambiguous. Like Schrödinger’s cat, neither alive nor dead, the disappeared one lingers, always just about to walk in the door. As Sally progresses through high school and into adulthood, Kathy is frozen in place—a confidante she addresses throughout the novel. And Sally doesn’t beat around the bush. Her unflinchingly honest, sardonic take on the dissolution of her normal family life and coming to terms with loss makes the novel. It’s as if Sally’s parents have forgotten that they still have another daughter. When Sally’s mother turns to electroconvulsive shock therapy to blot out the memory of her first daughter, she loses the rest of her memory as well. Sally’s father engages in risky behavior, from alcoholism to cutting down old-growth trees in the yard (he found a tutorial on YouTube). Through Sally’s eyes, Espach crafts her characters with an emotional depth that powers the story while still leaving room for laughter. Espach’s character development also helps make the romantic plots feel fresh. The story of 28-year-old Sally’s relationship with her bland but stable fiance seems like it was pulled straight from the second half of Jeannette Walls’ The Glass Castle; a vanilla relationship provides the stability Sally needs even though they lack chemistry. On the other hand, Sally's relationship with Billy, Kathy’s boyfriend and the driver in the fateful accident, brings some Dawson’s Creek incestuousness.

This tragicomic bildungsroman in the shadow of loss will invade your heart and hold on tight.

Pub Date: May 17, 2022

ISBN: 978-1-250-82314-4

Page Count: 352

Publisher: Henry Holt

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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WE ALL LIVE HERE

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

A recently divorced writer juggles a chaotic full house, a struggling career, and a confusing romantic life.

Lila Kennedy thought she had the perfect family—a loving mother, a doting stepfather, two wonderful daughters, and a great husband. She even wrote a self-help book about repairing a marriage, which was published a mere two weeks before her husband left her. After her own mother’s sudden death, Lila finds herself an unexpected single mom with her health-nut stepfather, Bill, for a roommate. When her long-absent actor father, Gene, moves in, things go from crowded to chaotic. When Gene isn’t talking about his memories of starring on a Star Trek–like television show, he’s starting fights with Bill. Perhaps the worst part is that Lila’s supposed to produce a new book about the unexpected direction her life has taken. She quickly finds that writing about her real-life romantic exploits (including the kind gardener Bill hired and the sexy single dad she lusts after at school pick-up) and the actual heartbreak that upended her family is easier said than done. Moyes creates a world that is believable and funny. It’s hilarious to read about the distinct characters in Lila’s life—such as her lentil-loving stepfather and egocentric biological father—interacting with each other. There’s plenty of drama here, but none of it feels forced. It all comes from flawed people doing their best to coexist and making plenty of mistakes along the way. Moyes combines the warmth of an Annabel Monaghan rom-com with the humanity of a Catherine Newman novel, creating a story that will provoke tears and laughter.

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

Pub Date: Feb. 11, 2025

ISBN: 9781984879325

Page Count: 464

Publisher: Pamela Dorman/Viking

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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